Tag: Jamaica


Rich The Kid & Jay Critch Checks In With Popcaan & Skillibeng In Jamaica For New Music


Rich The Kid and Jay Critch checks in with dancehall giants Popcaan and Skillibeng in Jamaica.

Rich The Kid and Jay Critch are the two latest international rappers to touch down on Jamaican soil. Their visit begs the question, “Is this just a vacation or are they up to some musical mischief?” While the answer to that question has not yet been given by the artists, the two are hanging out with Dancehall deejays Skillibeng and Popcaan, and that is enough evidence for fans to surmise there is an upcoming collab.

Last Friday, April 16, Rich The Kid posted a video on Instagram jamming to Skillibeng’s hit single “Crocodile Teeth,” and just a day after, the rapper posted pictures of himself and Skilli hanging out, captioned, “TOP SHOTTAS.”

The latest additions to the crew, Popcaan and Jay Critch, currently have fans on the tip of their seats, awaiting an official announcement of a new collab.

A video of the four artists chilling on an undisclosed balcony is currently circulating on social media, and the public was quick to point out Popcaan’s association with multiple international artists, painting him to be an ambassador for Jamaica’s entertainment industry.

Sources told Urban Islandz that the rappers discussed collaborations with the two dancehall hitmakers but it’s unclear if they actually went into the studio to record. Still, it’s clear that Rich The Kid and Jay Critch was having the time of their lives in Jamrock.

One person commented, “If you go to Jamaica and didn’t check in with Popcaan did you really even go to Jamaica”, another added “Popcaan- Ministry of Tourism”, and another expressed, “At this point, Popcaan is on the list of Things to do/ visit when in Jamaica. Get Devon House ice cream, visit Bob Marley Museum, take a picture with Popcaan…seems about right.”

Several international artists, including Stonebwoy, Quavo, Davido, and Drake, have documented their time with Popcaan following their visit to Jamaica.

The “Firm and Strong” deejay signed with Drake’s record label OVO Sound and Warner Records in 2018 and has collaborated with the Canadian rapper a number of times, with songs including “Twist And Turn,” “All I Need,” and “My Chargie.”

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Popcaan has also collaborated with multiple other international artists, including Davido, Wale, Pusha T, Jamie XX, Gorillas, and Giggs.

While Skillibeng is still relatively new on the entertainment scene, after getting his breakthrough in late 2019, fans are expecting him to make the same big moves in the industry in the coming years.

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Mr. Lexx Responds To Criticisms For Trashing DJ Khaled


Mr. Lexx is clapping back at criticism from inside dancehall for trashing DJ Khaled on Twitter.

Despite the backlash Mr. Lexx has been receiving for the past four days, the dancehall veteran is standing by his contentious comments hurled at We The Best Music chief DJ Khaled. On Monday, August 12, the “Full Hundred” deejay made a tweet that has since developed controversy across Jamaica and its entertainment industry. “Every time Khalid come yah a di same artiste dem him use and di song dem nah hit. Kmt yea I said it,” he tweeted. This comment did not sit well with some members of the public and at least two members of the dancehall industry.

Popular selector Bishop Escobar and veteran producer Gussie Clarke defended the Grammy-winning producer, saying he has the right to work with “whomever he chooses, however often he wants.”

Others accuse Mr. Lexx of being “hateful” and “badmind.” One Instagram user said, “Mr. Lex fi admit seh all he wants issa song wid d man,” another expressed, “Just sounds like jealousy,” and another accused, “Mr. Lexx is a hater.”

But Mr. Lexx, whose real name is Christopher Palmer, is maintaining that he reserves the right to freely express his opinions, even those that are contrary to popular beliefs.

To these comments, Mr. Lexx responded, “Dung yah suh Anybody weh voice dem opinion is either a Hater or Bad Mind… Daam.”

Dung yah suh Anybody weh voice dem opinion is either a Hater or Bad mind… Daam.

— Mr Lexx (@therealmrlexx) April 15, 2021

Additionally, the deejay also responded to an article posted by The Star titled “Local music players defend DJ Khaled after Mr Lexx rant.” To this, he said, “Mi never did a rant.. but carry on.”

DJ Khaled had been enjoying his stay in Jamaica over the past few days, constantly keeping the public updated with pictures and videos posted on his page. The producer, who had always expressed gratitude to Jamaica for its part in his rise, has been in “album mode” since he arrived on the island, with his latest update on the album being at 98.2 percent completion. Based on pictures DJ Khaled shared on social media, international artists H.E.R and Migos, as well as local artists Buju Banton, Busy Signal, Bounty Killer, Barrington Levy, Capleton, and Koffee, will be featured on his upcoming album, Khaled Khaled, due later this year.

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Rich The Kid Just Land In Jamaica & Already Turnt With Skillibeng’s “Crocodile Teeth”


Rich The Kid is turnt from the moment he landed in Jamaica and Skillibeng provided the soundtrack.

Skillibeng‘s hit single “Crocodile Teeth” is still picking up traction as another international celebrity was spotted vibing to the song. The single, released in October last year, has been circulating rapidly, both locally and internationally, since its release. On Friday, April 16, rapper Rich The Kid posted a video, evidently validating his stay in Jamaica. In the video, he is on the top of a building surrounded by beautiful greenery and a pool while vibing to the St. Thomas native’s hit track. The video was captioned, “When that check hit,” finished with a Jamaican flag and tagging the artiste.

Two days ago, Rich The Kid announced that he had signed a new record deal with Rostrum Records but still kept his independence as an artist. Could there be a new collab coming? This is the question fans are asking upon seeing the rapper’s obvious connection with the song. But this is not the first time the question of collaboration between international artists and Skilli had emerged, as just recently, the public shared similar ideas for fellow rapper Bobby Shmurda and the dancehall deejay.

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Bobby Shmurda, who is a fan of the dancehall deejay, had posted a video promoting songs from Skillibeng just before announcing that he would be releasing new music for himself soon. Fans had speculated then that Skilli would be featured in the new music to come.

In addition, Shmurda’s alleged girlfriend Lilly had shared a video set to the same soundtrack, “Crocodile teeth.” Shmurda has strong connections to Jamaica as his father is a native of the island.

Other international artists, including Burna Boy and Alexis Skyy, have jammed to “Crocodile Teeth,” and fans have been speculating that both the song and the deejay still have the potential to reach even further.

The EastSyde prodigy was also named in a list of Drake’s favorite Dancehall artists. On April 12, the Canadian rapper posted a picture of his “brother,” Popcaan, and Skillibeng to his IG story. The shot was taken from their cameo appearances in Koffee’s “Lockdown” video.

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DJ Khaled’s ‘Khaled Khaled’ Album Features All-Star Dancehall Lineup, Koffee, Bounty Killer & More


DJ Khaled has assembled a star-studded dancehall lineup for his new album with Koffee, Bounty Killer, Capleton, Buju Banton, Barrington Levy, and other artists. The album called Khaled Khaled” is almost ready at 98% done, according to the legendary music producer who is in Jamaica.

DJ Khaled has always been a fan of and includes reggae and dancehall acts in his projects, but this might be the first time that he is featuring so many artists on his album. What’s even more unique about the new project is that, unlike other overseas producers/ artists who worked with Jamaican acts, Khaled flew down to Jamaica. He also brought his crew to record and shoot music videos in Jamaica, so money from the album production is flowing directly into the island.

The new album is Khaled’s 12th studio album, and among those who are going to be featured are Migos and H.E.R. They are also in Jamaica for a week as they wrap up filming. Several other A-listers are said to be on the album, which includes Post Malone and Drake, who are on the first two tracks of the album. The tracks -“Popstar” and “Greece” have already been released. The songs mark the reunion of Drake and DJ Khaled, who last worked together in 2010.

Both songs debuted at No. 8 and No. 3 on the Billboard Hot 100, respectively, marking the Canadian rapper’s 39th and 40th Hot 100 top ten song entries- achieving a milestone as it broke Madonna’s 18-year record.

In the U.S, “Greece was certified Platinum by the Recording Industry Association of America for selling one million-plus copies while “Popstar” was certified 2x platinum-selling more than two (2) million copies.

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DJ Khaled also has released a trailer for a “Reggae-tinged” version of the song “Popstar” with a video featuring Khaled and Spanish actor and filmmaker from Speed Kills and Ibiza– Jordi Molla. The music for the trail is Sizzla’s “Rise To The Occasion.”

The music producer has collaborated on several past projects with dancehall artists, including the 2020 release of “Holy Mountain” featuring Buju Banton, Sizzla, Mavado, and 070 Shake. The video for the song was shot in Jamaica with all of the artists along with Khaled together.

The dancehall acts that Khaled has enlisted for his 12th studio album so far are all legendary acts within the industry. He said, “working on something special I never forget where I come from. JAH LIV!”

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Several of the artists re-shared images and videos of themselves with Khaled as fans shared their hopes for great music. Barrington Levy, on his official Instagram account, said, “In the studio w/the Best. Good vibes and much love always. Heat coming your way, be on the lookout…Just wait for it it’s going to be grande.”

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He also shared photos of himself with DJ Khaled on the Sandals-owned luxury property Villa Rio Chico where Khaled and his family and film crew are all staying. “wait for it, it’s going to be epic…”

The artist is known for his hit singles like “Black Roses”, “Too Experienced’, ‘Living Dangerously” featuring Bounty Killer, “Collie Weed”- a homage to the practice of smoking marijuana, “Here I Come,” “Shine Eye Girl,” and “Ah Yah We Deh” just to name a few of his hits.

Fans are expecting heavy dancehall and reggae influence on the album, even as DJ Khaled says he’s working on getting the album ready for release when he leaves Jamaica. He hasn’t shared more details on the names of the upcoming songs and how the collaborations will be paired.

In a video, DJ Khaled commented on the star-studded lineup as he praised both Levy and King Shango while they were on set. “HISTORY!!!” he wrote on his official Instagram account. “Listen, legendary Barrington Levy..legendary, legendary, legendary, Barrington Levy, Bounty, Buju, Fireman (Capleton), they don’t just come out for anybody.”

In other posts, Khaled emphasized that his twelfth album will be a “very special album.” The Album comes on the heels of his 11th album named “Father of Asahd,” named after his son. The 12th album “Khaled Khaled” is indeed special for DJ Khaled as it is named after his real name – Khaled Mohamed Khaled.

Khaled’s coming of age in the world of music is quite fascinating as he once told Larry King in an interview that he was a devout Muslim. That, however, hasn’t stopped him from making positive, feel-good music. Over the years, he has been accused of being a culture vulture to Jamaican music. However, if you look closely, you might be able to see that the reason he says that the album is special because it is paying homage to some of the people and the genres of music that helped him to cement his foot in music.

This includes the foundational figures in Dancehall who brought the DJ down to perform at shows in Jamaica. He would often visit the island and link up with the likes of Bounty Killer as he played sets at street dances in the inner cities of Jamaica.

His stint as a DJ also saw him paying homage to dancehall and reggae music on his shows in the 1990s- on Mix 96 and later Jamz 99in Miami where he played regular rotations of Dancehall and Reggae Music as well at Madhouse club and others in the South Florida area in the early 2000s.

Khaled was also in Jamaica deejaying at several events on the island, including Summer Jam in 2000. For some old enough to know the musical link, it’s acknowledged even by Khaled that his talent was appreciated and recognized in Jamaica long before it was in other parts of the United States and the world.

It was indeed the stepping stone he needed to make a mark in the hip hop/ rap world, which was just becoming introduced to the act of “toasting” or deejaying- a Jamaican phenomenon copied and replicated in hip hop parties.

DJ Khaled was also featured on Bounty Killer’s album “Ghetto Dictionary: Art of War” released in 2002 on the single “Bring the War On” featuring DJ Kalid [sic] as he was then known. His connection to dancehall goes deep with his many dubplates of dancehall finest even as they too were striving to make a name for themselves.

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He has featured in the Jamaican movie Shotta and had signed Mavado to his ‘We The Best’ Label following advice from Bounty Killer. He has also maintained a close friendship with Buju Banton, even visiting the reggae star while he was incarcerated for drugs dealing in the United States and coming to visit Buju after he was released as he introduced his children to Buju.

Nobody goes as hard when it comes to their album as DJ Khaled, but especially when it comes to Jamaica, the DJ shares a special relationship with the island, as many are coming to acknowledge. Hopefully, the latest album will cause the claim that he is a culture vulture to diffuse and also cause him to open new doors for some younger Jamaican artists to enter the mainstream hip hop and rap industry.

DJ Khaled’s album Khaled Khaled is slated for release by summer 2021.

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Wesrok Aims To Become First Mainstream Country Reggae Artist


Wesrok the first mainstream Country Reggae star?

The voice of the Jamaican people, reggae music, which derived from its predecessors Ska and Mento, has undoubtedly gone on to have a major impact on the international scene. Singer Wesrok has visions of taking the music to another level, as he works to establish a sparse version called “Country Reggae.” During a recent Gleaner interview, Wesrok said, “Country reggae is not a subgenre but a new brand, not quite country, not quite reggae. A brand new flavour for the masses.”

Jamaicans have long had a certain fascination for cowboys and Westerns, a love that transcended into the island’s music. Island-based entertainers have provided their versions of country and western tracks in the past, much to the delight of their fans. The late Toots Hibbert soared with his rendition of “Take Me Home Country Roads” by John Denver. Freddie McGregor’s rendition “King of the Road” by Roger Miller (1964) also became famous, and the Reggae artiste admitted that he was a fan of Miller’s music. How about Busy Signal’s renditions of Kenny Rogers’ “The Gambler?”

“Country is one of the biggest art forms. Other artistes have experimented with country reggae and failed because they’ve not sustained the efforts. We at 360 Global want to re-energise those efforts,” the recording artiste said.

The artiste, who has released a number of country reggae songs, is from the rural district of Swamp Lane in Bog Walk, St Catherine. He says he is fully equipped to be the face of this movement and feels that there is a niche market out there for country reggae in Jamaica and overseas, such as in Europe and the rural states of the USA.

Country reggae songs recorded by the artist include “Left Out in the Dark,” “Poor Country Boy,” and his most recent, “Born As a Winner.”

While Wesrok, whose real name is Percival Buddan, aims to globalize this brand, “country reggae” may not be very new after all. He added,

“The proof of Jamaica’s love for country music is all over reggae history. In the US, country music carries a certain racial history and baggage but I love it because country tells stories, tales about breaking up, and getting back together, and overcoming hardship. We love stories as well because this narrative tradition runs deep in folk music across the Caribbean.”

Wesrok will be launching his seven-track album, “Look At Me Now,” on April 23.

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Popcaan Collects His “Medal” And Live Life Stress Free In New Visual


Popcaan is living life stress free in his new visual, “Medal.”

Popcaan has certainly been having a great year musically, with each new release packing all the elements to make them sure hits. He is currently riding high off the feedback from the collaboration “God Is Love” with veteran crooner Beres Hammond, and he has also just released the visuals for his track “Medal.” He premiered a black and white clip from the video via his Instagram page to his fans and followers.

The track, which is produced by Young Vibes Production, shows the versatility of Popcaan as an artiste. He is seen delivering some smooth-sounding solid lyrics as he sings about blessings and overcoming struggles during this time. The track is an uplifting one which is just what the nation needs during these times as the country faces the Covid-19 pandemic.

“Yow Jamie Roberts, gi we some medal. Yow St. Thomas gi we some medals. Yuh know di struggles never stop, gi we some medals. But wi out yah same way enuh, doh. Haha,” sings during the opening of the track.

He then sings, “So mi seh gimme di trophy dem. Mi enemy, mi doh see dem. Great like Muhammad Ali and Kobe dem. Believe In yu self. Yeah yuh know seh mi fate different. Wul an wi a pray fi di Covid end.”

The track was released in February and has been getting a lot of airplay since then. The official video that he did a premiere for is now on his official YouTube channel. His fans are certainly appreciating the more positive and uplifting music he has been doing as of late.

In February, when he released “Medal,” he also released another track, “Win,” which carries similar sentiments to “Medal” and tells of persevering despite whatever obstacles or hardships you may be faced with. As of late, the artiste has also voiced his opinion about the social ills affecting Jamaica. He recently did a short video addressing violence against women in Jamaica following the killing of a twenty-year-old.

He has also sought to mend old fences and make amends with old rivals like Beenie Man, with who he even collaborated earlier this year.

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Bounty Killer Message To PM Andrew Holness: “I’m a entertainer not an educator”


Veteran dancehall artiste Bounty Killer is the latest artiste to come out swinging at the government of Jamaica after Prime Minister Andrew Holness issued a statement in parliament that alluded to dancehall music contributing to the high crime rate on the island.

During the sitting, the Prime Minister said, “In our music and our culture, in as much as you are free to reflect what is happening in the society, you also have a duty to place it in context.”

PM Holness added that while the Jamaican constitution protects free speach, recording artists still should used their free speach mindful that children are listening. In response to these statements, the “poor people governor” posted a short video clip where he started, “Wid all the state of emergency and SOE and all dese things,” Bounty Killer said. “It’s not a police problem. I told di government dis long ago. It’s a social dysfunctional problem, moral issue, self value.”

The artiste was referring to the recent measures put in place by the government in their bid to lower the nation’s crime rate. A very disgruntled Killer has had enough, as he bashes the government for not doing enough to put a stop to crime on the island.

Apart from the video, he also captioned the video clip: “Government and society go deal wid the problems unnu sh#$tsystem created I’m done talking about Jamaica’s plight and issues after 3 decades after all I’m an entertainer, not an educator.” He then went on to use the caption to lambast corrupt politicians, law enforcement officers, pastors, lawyers, and poor parenting, the lack of employment, poor educational system and mainstream media and social media for continuing to promulgate negative things including “pornography and violence.”

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However, he feels they are not getting blamed for the ills in society, only himself and fellow entertainers. He then challenged his fans and followers with, “UNNU TAG WHO AND WHO NEED TO HEAR THIS PPL BU#$CLAATH.” The comment section became a hotbed, with many disagreeing with his stance and urging him to recognize that while the system is a mess, dancehall artists should also take some form of responsibility for the lyrics they spew out.

On the other hand, there were others who agreed that other factors play a major role in the crime monster. Bounty Killer has often been seen as someone who speaks out for the poorer class in society. Therefore, there is no surprise that Killer has given his opinion on this topic.

Through his Bounty Killer Foundation, he continues his philanthropic work with numerous donations across the island. In 2018 he donated a refrigerator and air conditioning unit along with paint to the Victoria Jubilee Hospital.

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Sean Paul Drops Powerful “Guns Of Navarone” Visual With Jesse Royal, Stonebwoy & Mutabaruka


Dancehall legend Sean Paul has released a video for his Live N Livin single “Guns of Navarone.”

The song features Ghanaian dancehall singer, Stonebwoy, Jamaican singer Jesse Royal, and Jamaican poet Mutabaruka. The track addresses the gun violence Jamaica has been grappling with, along with the struggles of people who reside in the nation’s ghettos. The video opens with a quote from Mutabaruka, “How can a people be so traumatized that them start to love them traumatic experiences? We are defining we self through the colonizers, still how can we be so blind.”

The video tells a story of the cycle of violence in Jamaica with a young man protecting his sister after their fathers’ death, and continually throughout the video. It is his protectiveness that lands him in prison after he murders a man for violating his sister. Some years earlier, the video shows him receiving a gun from an older man. He returns from prison in 2021 and seeks a job but lands one as a contract killer. He is contracted to kill a man who was dating his sister, as it turns out. He ends killing his sister, whom he loves so much.

Mutabaruka returns with the outro saying, “Yes, di hunter kill the lion and say him was hunting, is a game / But when the lion kill the hunter / You hear seh him is a beast and a savage / A man like Marcus Garvey come tell we.”

Sean Paul is not the first artiste to record a song with this title. The Skatalites in 1965 released a ska instrumental called “Guns of Navarone.” At the introduction of the instrumental, one member said:

“In the winter of nineteen sixty-four this movie came to Jamaica / The Skatalites took the music from the movie and put it into ska / And came up with this song, it’s called / BAP… BAP… BAP..BA..BAP… the Guns of Navarone.”

The music was adapted from the 1961 World War II production with the same title. The movie illustrated the story of a team of Greek soldiers fighting against German artillery units.

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Justin Bieber On If He’s Influenced By Reggae/Dancehall, “The Answer Is Yes”


Justin Bieber says he is influenced by reggae/dancehall music but failed to meet the low bar in giving Jamaican music its proper credit.

As a world advocate for reggae and dancehall music and Jamaica as a whole, DJ Khaled never fails to give credit to dancehall culture, which is not only a part of his roots but has spawned multiple hits for him. Khaled recently had the opportunity to interview Justin Bieber amidst the release of his latest album, Justice, and the hitmaking producer asked the pop superstar about dancehall’s influence on his own music.

Justin Bieber sparked some controversy back in 2015 with his monstrous comeback hit “Sorry” from his album Purpose. The popular track had that rhythmic dancehall flavor and bassline, and its accompanying music video featured styles and dances from dancehall culture. What most local dancehall artists and fans took issue with was the fact that the genre was never credited at any opportunity for its obvious influence on the record.

The producer behind the No. 1 track regularly dabbles in dancehall and reggae sounds and has often tipped his hat to the culture for influencing his productions. From interviews to award stages, Skrillex laments his fandom of the commonly-sampled genre time and time again. However, as if prohibited to do so, the word “dancehall” has never publicly escaped artists like Justin Bieber’s lips. DJ Khaled asked about “Sorry,” particularly during his recent interview with the pop superstar on his First One with DJ Khaled podcast on Amazon Music.

“The record ‘Sorry,’ it has that dancehall feel. I love Jamaica. I love reggae, I love dancehall music. It wouldn’t be no DJ Khaled if Khaled didn’t break out of dancehall. It’s part of my story and who I am,” Khaled said. “What inspired you to make that record? Are you influenced by reggae music/dancehall music?”

In response, Justin told Khaled, “So the answer is yes. I am inspired by really all music but in particular I love island music. I love the feel of just the percussion, you know, I’m a drummer so that percussion it moves me. It makes me want to dance.”

“I wanna make music for the world,” Bieber continues. “I don’t want to get caught up being too isolated. I want to make music that impacts everybody of all cultures, all ethnicities, all shapes and sizes.”

Justin, who is a self-taught musician, has been playing the drums since he was a toddler. After teaming up with several renowned music producers influenced by reggae and dancehall sounds, he has created a number of similar dancehall flavored records – all of which went unattributed to the originating culture.

One of the major producers that Justin has worked with in the past who has faced similar criticism is Major Lazer, a group that is undoubtedly the product of an amalgamation of genres like dancehall, Afro-beats, EDM, and more. While one of its members is Jamaican, admitting the influence of dancehall on their records has seemed to be as difficult for them as it is for Justin. They too have faced backlash for cultural appropriation in addition to artists like Drake and Kanye West.

The artists who tend to give dancehall the respect it deserves pretty much grew up on it themselves as Caribbean natives. Namely, Rihanna and Nicki Minaj often highlight the undeniable impact of the genre and raise awareness of its prior existence.

Meanwhile, Justin Bieber’s “Sorry,” which was one of the biggest records of 2015, broke a number of streaming records in multiple regions, and the visuals currently boast more than 3.5 billion views on YouTube, ranking as the platform’s 13th most viewed video. It unquestionably catalyzed the renewed interest in dancehall-influenced mainstream music and was the start of an onslaught of tracks by various artists that were clearly products of dancehall culture.

As for when dancehall will actually be named by some mainstream artists as a major influence and stop being whitewashed by mainstream music media with empty terms like “Island music,” “Tropical House,” and “Caribbean-flavored,” we will have to wait and see.

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Vybz Kartel Cosigns Young M.A Repping Gaza in ‘Ooouuuvie’ Freestyle: ‘Real Recognize Real’


Vybz Kartel and his fans are today on a high after the dancehall artiste got a shout-out from rapper Young M.A. in her latest release. The song “Ooouuuvie (Whoopty Freestyle)” was released yesterday and is already trending at number 5 on YouTube.

In the portion of the freestyle reposted by Vybz Kartel, Young M.A sings, “Smoking that Zaza, got yack in the mata.. I’m in Jamaica speaking that patois.. Big up to the Gaza.”

The Gaza boss captioned the post saying, “BigUp @Youngma (fist pump emojis) #RealRecReal… 1 Don #GazaBadness.” Vybz Kartel’s fans were excited about the big up from the international performer who has Jamaican heritage by way of her mother. One comment under the World Boss’ post said, “Big up Young M.A (clapping emojis)… She knows the Vibes!”

Another Instagram user said, “She a real one,” “See it deh! Gaza international”, while several left some fire emojis to show their approval.

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Not everyone was here for Vybz Kartel’s repost. One user commented, “I remember a time when fire use too bun pan some people. Everybody cool now ehh.” Another disgruntled fan commented, “How unuh against homosexuals but still big dem up… fraud! Gudly a fish unda style to how mi seet.”

The comments were in reference to Young M.A’s sexuality and the fact that she identifies as a part of the LGBTQ community. Such persons are generally met with disdain from those in the Dancehall arena.

Despite the negative comments from a few fans, Jamaicans love the homage to the island and the Gaza in Young M.A’s new freestyle. Many showed out in the comment section of Young M.A’s promotional post, commenting with Jamaican flags and fire emojis.

Some users highlighted that the rapper has always shown love to Jamaica, having visited the island several times and even performing there. Her last visit was in 2017, when she performed at the popular Brit Jam concert.

The rapper has also featured patois in her musical lineup, including on her 2020 song “Tunn Up.” The song features lines such as “Bad gal turn up (Wah gwaan)… Spliff mi ah burn up, pull her skirt up… Toes, dem a kill out… Mi fr**ky, make them girls wet like Fiji.”

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Konshens Taps Spice For Forthcoming Album ‘Red Reign’ Drops ‘Can’t Stay Sober’ Video


Konshens got a new project on the way, a new record deal, and a new video out now.

Dancehall artist Konshens recently signed to Oakland-based Ineffable Records, and fans are now welcoming his brand new video, conceptualized during the current Covid-19 pandemic, for a track that should be featured on his forthcoming third studio album.

Ineffable Records was launched by its parent company Ineffable Music Group in 2019. Since then, the company has gone on to do great things, such as ascending the Billboard Reggae Labels Chart, which it topped in 2019. 2020 saw the label falling back to second place on the aforementioned chart, where it played second fiddle to the major powerhouse, Universal Music Group.

The new label, which has so far represented the likes of Collie Buddz and Stick, has broken away from its previous core target of US-based reggae acts and has firmly planted its feet in the Caribbean. They are now working with Trinidadian group Kes and Jamaica’s very own International sensation Konshens.

A press release from Ineffable Records’ VP outlined the benefits artists can expect to gain from working with their platform.

“We’ve become the top independent label in the reggae space by providing artists with the financial backing they deserve without giving up master ownership; where projects recoup in a reasonable amount of time; and where they get paid every month instead of twice a year,” Adam Gross said.

Konshens knows a thing or two about pulling in those huge numbers. The Jamaican-born dancehall deejay has been doing it big for a number of years with collaborations from the likes of Cardi B, Rick Ross, Nipsey Hussle, Enrique Iglesias, The Chainsmokers, Doja Cat, Major Lazer, Nicky Jam, Pitbull, Clean Bandit, and Jamie xx. His solo efforts such as “Gyal a Bubble,” “Turn Me On,” and “Bruk Off Yuh Back,” which was released by r&b star Chris Brown, proves the deejay knows precisely what his fans and prospective collaborators are looking for and have also raked in millions of audio streams and views on Youtube.

Konshens PR team told Urban Islandz that his forthcoming album should arrive during the third quarter of this year will feature a host of other international collaborations as well as major players from Jamaica, one being Queen of Stage, Spice. Both Konshens and Spice have been teasing clips of their upcoming collaboration via social media, and fans are already looking forward to what he got in store.

For now, Konshens is offering his fans a sneak-peek into how he has been spending his days during the lockdown brought about by Covid-19. He does so through “Can’t Stay Sober,” which is the first release from the album title Red Reign. Kenny Gray spearheads the music video, while Konshens himself features as co-directed of the true to life representation of the reality many like himself are currently facing.

Blurred lines, jagged transitions, and lucid filters, effectively convey the mind of an intoxicated individual. Shots capturing the sheer hopelessness that has currently taken afoot in Jamaica and other parts of the world is a strong reminder of not only the health crisis citizens are battling but also the economic and social challenges that develop along with it.

Konshens chooses his own forms of self-medication to help him weather the storm other entertainers are facing. While speaking at a press conference, he admitted to having a problem.

“Right now, I drink way too much and this song helped me to realize that, and now I’m taking steps to kick it,” he said. “The current climate of the world is forcing you into a state where it’s almost like you can’t stay sober. I’m not encouraging it, I’m just acknowledging the reality. This is a stressful time, and people are searching for an escape.”

Konshens further explained via a social media post that “Can’t stay sober is on 26 official playlists.”

The single was produced by Zum of Good Good Productions, with whom Konshens already has wonderful musical chemistry. Production credits for the impending album also include Rvssian, Jonny Blaze, Track Starr, and Silent Addy.

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Vybz Kartel Details First Time Being Booed On Stage In 1991, Drops “X-Rated” Album


Even Vybz Kartel gets a taste of the tough Jamaican live music audience.

Vybz Kartel has often been viewed as one of Jamaica’s most prolific and talented songwriters. For years, he has been able to consistently release chart-topping singles, many of which have made their way onto various Billboard charts. Despite the fact that he has been imprisoned since 2011, the artiste known as the “Worl’Boss” continues to outperform his competitors.

On Friday, March 19, Kartel gave his fans a treat when he released a mini-album titled X-Rated. The new album was released under the Short Boss Muzik and Vybz Kartel Muzik labels and features nine tracks, which is an assortment of music and interludes from the dancehall artist.

Vybz Kartel has long regarded himself as the holder of an “alien brain,” solely based on his musical abilities. He has now revealed the specific time and place he was possessed with his celestial abilities on “Solid Boo,” a track from the new album. As the title states, the interlude speaks of a time the deejay’s courage and persistence was put to the test when he was ridiculed while on stage. The “booing” incident took place in the early 1990s when what many now define as one of the best eras of the dancehall was starting to take root.

At the time, a teenage Vybz Kartel, who went by the name Addi Banton, resided in the hot and tormented community of Waterford, Portmore. As Kartel explains in his signature baritone voice mixed with a slight taste of mischief, he and a friend had snuck out of their homes to attend a stage show. Being confident in his deejaying skills, the young Kartel took to the stage and deejayed, “Di gyal bruk out like ah big dutty sore, lawd! She f*** down di whole a Portmore.”

Sadly, the biting lyrics were not well received as he had hoped, and what followed next was a resounding “Boooooooooo.” Vybz Kartel further explained that the MC made matters worse when he implied that he and his lyrical partner had not only made a mockery of himself but the craft on a whole. “Jah know star dem yute yah make the deejay ting look haad.”

It’s not often that one hears about the great Vybz Kartel not owning any stage that he steps onto. This is due to the fact that the man now regarded as Di Teacha became a student of criticism that very night. The argument he got into with his dad upon his return from the event at 4 o’clock in the morning was not enough to deter him from writing ten songs that very same day. Hereby marks the beginning of the Vybz Kartel millions around the world have now come to love, fear, admire, and most of all, respect. The story also brings across a very profound message to a project titled X-Rated.

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Vybz Kartel still had a host of hurdles to skip over before he was able to be regarded as the King of Dancehall. His connections with Bounty Killer, one of Jamaica’s greatest musical products, provided Kartel with an outlet for his creativity before his name was known by the masses.

Penning songs for Bounty Killer and other members of the “Warlord” led Alliance was a common practice for the “Unstoppable” singer. In turn, Killer brought that much-coveted spotlight to Vybz Kartel and the other acts under his wing. The relationship between Killer and Kartel would later go sideways, leading the latter to form his own musical outfit, Portmore Empire.

Kartel would go on to also spearhead much of the writing in the camp during the group’s heyday, which resulted in Empire becoming one of the hottest collections of artists in dancehall. The likes of Jah Vinci, Popcaan, NotNice, Lisa Hyper, Rvssian, Spice, and numerous other entertainers and producers have all benefitted from Vybz Kartel’s pen game, and they continue to heap praises onto him to this day.


The Best Dancehall Songs Of 2021 – So Far


A look at the best dancehall songs in 2021, so far.

From Yaksta’s “acres over Mark X” to Skillibeng’s “Di plane just crash wid e coke,” it’s safe to say that Jamaica’s musical engine has been pumping out the hits since the start of the new year. The industry giants such as Vybz Kartel continue to provide quality in quantity. However, not on the level that he did in 2020 when he had the airwaves buzzing with tracks from his album, To Tanesha. Nonetheless, 2021 promises to be a very musical year, with numerous entertainers either queuing to release an album, a mixtape, or an EP. Vershon dropped his 6-track EP title Only One a few days ago, while Sean Paul released his feature-laden project Live N Livin, which is one of two albums the superstar will be providing to his fans this year. The wealth of music brewing over the past three months has made us feel super privileged to be able to compile a list of the hottest dancehall/reggae singles we have received so far.

To select the songs for this list, we look at the numbers across DSPs and real world impact to see which singles are playing in dancehall sessions, parties, clubs, and on radio stations locally and overseas. The list also comprised of only songs that are released in 2021, so yes there are music from last year still in heavy rotation now, but so are music from three decades ago.

So which dancehall songs are the top tracks so far this year?

Chronixx – “Safe N Sound”

Ironically, no form of oppression was safe and sound after Chronixx dropped his latest nearly a week ago. The visuals portray a warzone-like atmosphere where smoked skulls and travesty indicate the order of the day. The lyrical stepper acts as the lone vigilante in the warzone, using his words, sounds, and power to hit back at the government, among other controlling subsets. How ironic that just a few months ago, Prime Minister Andrew Holness hailed Chronixx’s catalog as the face of what Jamaica’s music should look like, based on his profanity-less lyrics. Chronixx recently offered a surprise when he chanted a classic Jamaican expletive over the odd but infectious dancehall beat. The “Behind Curtains” singer has been delivering his vocals over beats of this nature for the past couple of years, with many of these cuts reportedly making it to his upcoming album. Excitement galore if you ask us!

Alkaline “Top Prize”

Whether you love him or hate him, it’s pretty hard to deny the fact that Alkaline is one of the world’s hottest entertainers with a Jamaican passport. While fans are still trying to figure out just how the entertainer got his name, they now have other questions, such as when will his new album be hitting shelves. The deejay announced both the release of what will be his sophomore album and its lead single back in February. The lanky figure who is known for flashing his bright smile on national television while participating in Jamaica’s Junior Schools Challenge Quiz has come of age and is promising fans a more mature dose of Alkaline on the new project. The title track was everything his Vendetta fans needed to quench their overactive musical appetite while getting their daily dose of motivation. The smooth cut is best listened to while wiping that mist from your bathroom mirror while getting ready to tackle the day ahead.

Popcaan – “Win”

Basketball is one of the most demanding sporting disciplines in the world, period. While the United States is seen as the Mecca when it comes to hooping, other countries also boast a pretty solid basketball program. Jamaica is slowly upping its ranks as far as b-ball is concerned, and with the help of the Unruly Boss, Popcaan, at least one fictitious team was balling after coming out victors against a Neville Bell coached offensive. The music video shines some light on basketball legend Kobe Bryant, who perished in a helicopter crash last year. Whether purposely or coincidentally, Popcaan dropped the visuals only a few days after the 1 year anniversary of the sportsman’s death. Popcaan’s most comfortable spots are his kitchen, the river, on stage, and next to his mom Miss Rhona. However, in the most ironic of fashions, he seemed pretty comfortable on the sidelines of the court in “Win.”

Popcaan – “Relevant”

Popcaan picks up a double on our list when he teamed up with Droptop Records and kicked started the year with the soulful and inspirational ballad, which is still very much ‘relevant’ three(3) months down the road. The power of the track is compacted in simple but powerful lines which aim to stimulate even the youngest listener.

“Ghetto yutes go fi di goal, wi been ah win (Mhmm)
Failure nuh inna?my?ting,?no (Weh! Weh!?Ting, no)
If yuh?live inna board house, yuh still ah queen
Yuh still ah king (Yeah)
Failure nuh inna my ting, no”

Is failure a part of your daily mantra? We hope not. As for Popcaan, his positive winning streak continues.

Beenie Man Feat. Popcaan, Dre Island – “Fun In The Sun”

Fact check/History lesson: 2006 was the year we lost loved ‘Crocodile Hunter Steve Irwin to a stingray. It was also during this year that 12 miners died during the Sago Mine disaster in West Virginia. It was also the year when Google acquired YouTube for US$1.65 billion. Who could forget the Whale who decided to venture into the River Thames? As for music, 2006 saw Daniel Porter ruling Billboard Hot 100 with “Bad Day,” and Sean Paul coming in just behind him with “Temperature.” Another Jamaican who had the place in a frenzy in 2006 was Beenie Man when he released two albums, Concept of Life and Undisputed. The latter was Beenie’s last album in almost 20 years. The dancehall artiste should definitely have the word legendary etched somewhere on his body for his ability to stay relevant all these years without a body of work.

Beenie Man and his one-time enemy Bounty Killer revived beliefs in good entertainment last year when they performed side by side on Verzuz. The two men did the next best thing shortly after they announced they would be releasing albums. After much delay, it seems 2021 is the year fans will be getting both projects. The Zagga Zow pioneer recently had some ‘Fun In The Sun” as he and co-writers and performers Dre Island and Popcaan sent their prayers up to the lord from the grounds of Hope Garden. The song has a special place in the heart of Beenie Man, who expressed that he wrote the song while sitting by the grave of his mom, who passed away in 2020.

“That’s why we must, yeah, yeah
We must live as one (yeah)
Divided we fall
Together we’re strong.”

Masicka, Tarrus Riley, Dunw3ll – “CORNER”

From one triple threat to another! Genasyde, Singy Singy, and Dunw3ll find friendship around the “Corner.” The Masicka, Tarrus Riley, and Dunw3ll collab provides a wonderful brace to everyone who is facing tough times, a commodity that is seemingly in never-ending surplus these days. From Covid-19 to exorbitant food prices and a crime monster that is on the loose, everyone needs a bit of positivity in their corner of the ring. Crank up the music, lace up your boxing gloves and let’s get ready to rumble.

TeeJay, Tommy Lee Sparta – “Power Struggle”

Known for its white sandy beaches, resorts, and once active nightlife, Montego Bay is a haven for many of Jamaica’s visitors. In recent years, the parish of St. James has proved that its musical talents are not only reserved for the walls of fancy resorts. The likes of Teejay, Tommy Lee Sparta, Rygin King, Squash, Daddy1, and a host of other newcomers have kicked the notion that good musical vibrations are only felt in the East of the island.

The Damage Musiq-produced song “Power Struggle” is just one such example of this. The track saw Teejay and Tommy Lee Sparta team up for the first time, causing quite a rumble in the dancehall jungle and since its release in January, bringing over 3,000,000 Youtube views. Free Tommy Lee Sparta is the general chant from adoring fans below the Youtube upload. Lee remains in lockup following an incident in which he was held with an illegal firearm during a police operation during the latter part of last year. “Power Struggle” captures the pain the deejay has faced at the hands of law enforcement.

TeeJay, Vybz Kartel – “Pressure”

Vybz Kartel addressed the hardships being faced by the common man in Jamaican approximately five years ago when he released his track “Pressure.” On the new track, also titled “Pressure,” the deejay is still questioning the constant uphill battle being faced by the people of the land. This time around, he brings Teejay, a man with whom he has found amazing musical chemistry, to tag along for a story that is all too real. Poverty, ruthless murders, and the deaths of the innocent are all topics discussed by both Kartel and Teejay. It’s a familiar topic covers by musicians from the genre known for speaking on the struggles and plights of the people.

Yaksta (Bush Lawd) – “Ambition”

Do you remember that bet you made about not being able to find any sound financial advice in today’s music? Think again, as newcomer Yaksta shows just how it’s done. The deejay is quickly emerging as the one to watch for the title of breakout artiste of the year, and his new track “Ambition” seems set to make that a reality. Bush Lawd is asking those questions that many are simply scare to ask, firmly standing on the pyramid of what’s right and not what’s hype.

“Why own a Farrari (Why why)
With no where to park it? (Wooiie)
Why shop at Louise V when there is a Target?
Now me hype and me feisty (Feisty)
True mines me a save it (Save it)
Dem guh fendy fi Trendy (Trend wah?)
Bank account cyah empty (Bruck!)”

The official video that was released nearly a month ago is nearing 1 million views, making it the entertainer’s biggest song to date.

Check it out and let us know if you caught all of the financial gems he offloaded.

Shaneil Muir, Daddy1 – “Toxic”

“Love a nuh something wha we practice but the two a we together too toxic…” Sings Shaneil Muir. The singer had a phenomenon in 2020, picking up speed in the early part of the year through her track “3D,” before finding her monster breakout hit “Yamabella.” Since then, Muir has worked with Vybz Kartel, among others, blessings tracks with her magnificent vocal range, raw power, and female prowess. No wonder she overpowered her dad when he tried to turn her away from her “Custom” singer boyfriend Daddy1. Daddy1 runs his usual game on Muir and his fans with a pretty familiar flow that is worth a minute or two of your attention. Check it out.

Shenseea – “Upset”

Chimney Record’s Style A Style Riddim forms the base for this bit of gold from Shenseea, which arrived weeks after the official release of the “juggling compilation.” As the saying goes, it’s never too late for some good lyrics hitting out at anyone looking to bring across any bad energy. Interestingly, the track was released around the same time that Spice and Shenseea were allegedly contesting the “Queen of Dancehall” status. Shenseea has been making her presence felts on the international circuit for some time now. She seemingly got a boost in ratings earlier this year as she made numerous appearances on the walls of the popular urban blog, The Shade Room. There have been talks of an album arriving sometime soon, fingers and toes crossed that it works out.

Prince Swanny – “Tell Me”

Did someone say Trinibad? If you are still unsure about one of the fastest rising sub-genres of dancehall, stay tuned. One of the frontrunners for the movement, which was born in Jamaica, shipped to Trinidad, and is now being redistributed around the world, is Prince Swanny. The deejay has managed to amass a huge following on social media, including Youtube, where you can find the music video for “Tell Me.” There were no mistakes in the naming of this track as Swanny shares the intimate details of what he loves to do, which include caressing his ladies and his firearms. Slow and steady wins the race for “Tell Me” as Swanny effortlessly flows over the beat.

“Tell mi if they really want it we mek di
Money when we outside we strap up
With di 45 dawg none a dem nuh bad
Like we yeee yeah an every fat p*ssy
Gyal dem waah we dem waah fi sit”

Vybz Kartel, Likkle Addi – “Popular”

The master tactician Vybz Kartel is already planning his exit from music, leaving the business in the hands of his three boys, Likkle Addi, Likkle Vybz, and Aikodon. Both Likkle Addi and Vybz have conducted interviews with Winford Williams, where they spoke of focusing on the business aspect of music and all that it entails. They have no plans to step from outside of the booth, though, and “Popular” by Vybz Kartel featuring Likkle Addi is proof that the youngsters have a lot to offer musically. The official music video is inching closer to the 2 million views mark on Youtube. Many would desire to take away the stalker element expressed in the following line. However, there is a strange feeling that it’s one that actually contributes to the mystique of the track.

“I wanna meet you so much it hurts”

Sean Paul, Intence – “Real Steel”

Dutty Paul and Dutty Yeng have enough steel to frame a skyscraper but rest assured that every inch will be going to the female(s) they both desire. “Real Steel” is possibly one of the “duttiest” tracks fans have heard from Sean Paul in a while. The rudeboy persona is on full display, something the ladies simply cannot resist. Sexual favors are plenty, with both Intence and Paul sharing the same girl. Wild! The song is from Paul’s brand new album Live N’ Living, which is packed with many other collaborations, fulfilling Paul’s mission to spread dancehall talents far and wide. The track’s Youtube numbers have been a bit stagnant, but the song is picking up heavy rotation on international radio stations such as Hot 97.

Intence – “Pickachu”

“Pickachu” is a solid track from Intence, which is delivered with clarity and at a moderate pace, making it one which his fans should be able to jam to. Yet, the 1,000,000 and more views on Youtube may actually be a result of a clever but out-of-the-box move from the director of the video. “Ashtray Browning” makes a 3 seconds cameo and steals the spotlight from Intence in the visuals. The clip starts out with the deejay beginning his descent down a flight of stairs but stops to ash his cigarette into the properly placed mouth of a browning, who’s sitting close by. The incident caused quite a stir on social media, with pundits giving their approval or disapproval of the move.

Skillibeng – “Coke”

Skillibeng became the plug for hits in 2020, and that followed in 2021 when he released “Coke.” The track proves that the St. Thomas-based deejay is not only able to craft clever bars but is also able to spot an opportunity. His decision to write his track and shoot his video in and around the mysterious plane landing on the South Coast of Jamaica has proved bountiful. Seven million views since its release on February 02 is pretty astounding, even for SKillibeng. “Brik Pon Brik” was released in December 2019 and is also lingering at the 7 million mark on Youtube. “Crocodile Teeth,” is leading the charge with 15 million views and is set to go even further as a result of cosigns from the likes of Drake and Burna Boy. Still, it’s pretty hard not to love the audio extracted from one of Jamaica’s biggest movies, as well as Skilli’s opening lines, “Di plane just crash wid e coke.”

Mavado – “Not Perfect”

Dancehall artiste Mavado is finding 2021 to be one of his worst years yet, after the conviction and subsequent life sentence handed down to his son Dante Brooks and the recent death of his mother, Elizabeth ‘Ms Pinny’ Gordon. Before it all went downhill, Mavado delivered this track that explained his overwhelming feeling, as he called on his son to stay strong during his trial. Mavado’s words may offer you a bit of solace during your difficult time. You can check the track below.

Lila Iké, Skillibeng – “Thy Will”

Skillibeng gets another entry on our list through the positive collaboration with one of reggae’s hottest acts, Lila Ike’. It’s the remix to “Thy Will,” which was released as a part of her debut EP early last year. The video incorporates religion, protest, among other ways, to fight back at the system and stick it to the man.

Urban Islandz honorable mentions.

1. Popcaan, Beres Hammond – “God Is Love”
2. Spice – “Watch My Life”
3. Intence, Govana – “Public Enemy No. 1”
4. Sean Paul, Busy Signal – “Boom”
5. Jahmiel – “Unbroken”
6. Vershon – “Stick By Me”
7. Christopher Martin – “Rent Free”


Mavado Shares Heartbreak Over His Mother’s Passing On IG: “Love you mama I’m so so sorry”


Dancehall artist Mavado reminisced about his mother, who passed away on Thursday, as he shared an emotional message about how he was coping.

The artist, who is in the United States, said his mother had been feeling unwell, but she assured him she was doing fine. “After you told me that your feeling much better and your telling us that your ready to go back to your house I feel so good when you said that to me on the phone,” the “Give it All to Me” singer said.

“Mama still can’t believe it now I’m all alone can’t trust no one but I could always put my life in your hands from I was A kid it was always me and you walking up and down Constant Spring road, them days my little sister was just a baby them days I always said as a kid I’m going to buy you the biggest house and the prettiest car when I grow up. I build you the biggest house I keep my promise mama I did it and the world will remember US me and you,” he added.

Mavado is dealing with one too many tragedies as he not only mourns the loss of his mother and “best friend”, but also deal with the upheaval felt from the upcoming sentencing of his son for murder on March 19.

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What’s even sadder for the singer and his family, his mother cannot be buried immediately as the government has laced a ban on funerals due to the increasing cases of Covid-19 infections on the island. Additionally, Mavado himself might not be able to attend the funeral as he risks being arrested by authorities who had previously named a person of interest in the same murder case involving his son. The last time he was in Jamaica, he was also shot at by unknown assailants, so his life is also at risk by unknown persons.

Mavado also shared a touching photograph of him and his mother as she held him while a small baby. He has always had a close relationship with his mother and has even dedicated a song to her called “Mama.”

“Mama mi never ever ever ever ever ever / Left you out / Mi never left you in a the board house pon the Gully / Mi tek you out / You proud a you son / Seh mi proud a mi self / You teach me fi pray over mi self / Suh mi nuh care who nuh like mi / Dem is not God Almighty,” Mavado sings.

In another video of his mother shared today, Mavado said, “Love you mama I’m so so sorry.”

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A post shared by David Brooks (@mavadogully)

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A post shared by David Brooks (@mavadogully)


Vybz Kartel’s Son Likkle Vybz Urges Dancehall Artistes To Learn The Business Of Music


Vybz Kartel’s son says he has major plans for Adidjaheim Records starting next month.

Likkle Vybz, who is the eldest son of the incarcerated dancehall artiste, is poised to take over his father’s label, Adidjahiem Records, in April when he turns 18. In a recent interview with Winford Williams via OnStage, the young artiste and burgeoning entrepreneur spoke at length about how he plans to run the label when he takes over.

Likkle Vybz believes artistes need to become more involved in the business side of music as opposed to just voicing a track and then leaving it up to their respective managers to deal with. He told Winford, “Basically in music yuh nuh you can’t just be in the studio doing music and you basically leaving the business part of everything else in managements hand or somebody and you don’t really know what’s going on.” He urged young artistes to be more hands-on with their craft.

As it relates to the artiste signing to the Adidjahiem Records Label, his plan is for them to have a partnership. When quizzed about changes he wants to see in the music business, he mentioned that he does not think there are any solid labels behind artistes in Jamaica. He also expressed that he hopes to not just be signed to major labels such as Interscope, Atlantic, etc. “Instead of being like alright we are signed to them it would be more like a partnership with Adidjahiem records,” he said. The goal is for the artiste to still have creative control over their own music.

“Music is always bigger than Jamaica,” he continued. He emphasized that artistes should constantly be searching for the next step to take their careers which will also positively affect the future of dancehall and reggae music. When questioned about the girls and material things that come with being a dancehall act, he said he was not really into all that now, saying it was just an image.

Much like his father, Vybz Kartel, the 17-year-old announced that he has some upcoming businesses in the pipeline and an initiative for the non-profit arm of the business. He said, “Dancehall Royalty Part 2” was in the making, and fans should look out for it. The music industry is waiting to see exactly what Likkle Vybz will do when he eventually takes over.

It’s quite refreshing to see that a young artiste in the business seems to have a solid idea as to how he wants his brand and dancehall music to improve. One of his younger brothers, Likkle Addi, was also recently interviewed by Winford Williams, and he too seems poised to continue the legacy their father started. What are your thoughts on the interview?


Bunny Wailer ‘The Last Of The Wailers’ Life, Music And Legacy Explore


Bunny Wailer, the last of The Wailer, died leaving behind a rich musical legacy that will forever etch in the fabric of reggae music and Jamaican culture.

Wailer, whose real name is Neville O’Reilly Livingstone, died at the Medical Associates Hospital in Kingston. Also affectionately called ‘Jah B’ by friends and family, Bunny Wailer was a singer and songwriter and percussionist and the last living member of the renowned Bob Marley and The Wailers group that also included Peter Tosh, another founding father of Reggae Music.

Wailer is a three-time Grammy award winner and was awarded the Order of Merit for his contribution to popular culture, an award given to Jamaican nationals for their lifelong impact and contribution to the development of Jamaica. Among those who have publicly grieved his loss are his family and friends and Jamaica’s Prime Minister Andrew Holness, who called his death a “great loss for Jamaica and for reggae.”

Among his most memorable songs is “Electric Boogie” with Marcia Griffiths that has an accompanying dance – “the Electric Slide” that has become a family tradition for many generations at family events, weddings, and birthdays. His voice leads records like “Keep on moving”, and “Riding High.”

Bunny Wailer’s career began as a small boy in the rural St. Ann community of Nine Mile. It was his destiny to meet Bob Marley while they were only children. He was raised by his father, Thaddeus “Toddy” Livingstone, who ran a grocery store, while Marley was being raised by his mother, a single parent.

The two quickly formed a relationship as friends and are said to have made their first music while at Stepney Primary and Junior High School as seven and nine-year-olds.

After Marley’s father passed away in 1955, his mother Cedella and Toddy struck up a relationship, and the two young men became step-brothers. They also shared a half-sister, Pearl, who was born from that union.

As young men, the two wanted to pursue music, and in order to do so, they felt their best chance was to move to Kingston. Here they moved to Trenchtown, and they then met a teenaged Peter Tosh. After his failure to attend his music audition on time, Wailer did not give up, and the three ended up forming the “Wailing Wailers,” which included Marley and Peter Tosh.

According to documented records, the name of the group was chosen because “We started out crying”, Marley said- in reference to the young men’s earnest search for a break into music.

Aside from that, they had no money and lived frugally in Trenchtown- a large tenement yard with communal bathrooms and water facilities. The economic harshness of their reality drove the men into music, and where they first encountered Rastafarianism, although it was still a relatively new religion and shunned in Jamaican society due to its acceptance of marijuana use.

However, that was no bar for their determination and creativity. Bunny Wailer reminisced about their early beginnings and having to make his own guitar – “a bamboo staff, the fine wires from an electric cable and a large sardine can.”

The Bunny Wailer story is overshadowed by the wide popularity of Bob Marley, and according to the manager of Wailer, Maxine Stowe, it was Wailers’ father, Toddy, who was the glue that brought the men together.

The Wailers also included Peter Tosh, Beverley Kelso, Cherry Green, and Junior Braithwaite, who formed the Ska group during the early 1960s. A local musician Joe Higgs helped to refine their harmonies. However, it was the elder Livingstone who was selling marijuana which was then illegal, who funded the group, which began recording music in 1964.

They quickly topped the Jamaican music scene with “Simmer Down,” recorded at Studio One with the rhythm from studio house band “The Skatalites.”

The group went on to become widely successful for a time. By the early 1970s, Marley and Bunny had learnt to play some instruments, and they eventually hired other musicians to play the bass and drum. In 1974, both Peter Tosh and Bunny Wailer left the band to go solo, and Bunny eventually began operating under his own record label ‘Solomonic.’

According to historians, the reason Wailer and Tosh famously quit The Wailers in 1974 to go solo was because they refused to go on tours and perform at “freak clubs,” as suggested by Chris Blackwell. His reason behind the life-changing decision was because the suggestion went against his strong Rastafari beliefs and his spiritual path that became stronger while a part of The Wailers.

The band also is said to have issues due to the crookedness of Chris Blackwell, who, according to them- was responsible for the band breaking and the ensuing bad blood among the three original members. Bunny Wailer refers to Chris Blackwell as “Chris Whiteworst” and claims that Blackwell recorded, marketed, and released the band’s work under Bob Marley and The Wailers rather than The Wailers- since 1969, something that was akin to their own credit being stolen.

In spite of these differences, each of the men went on to lead successful lives, and Reggae music spread like wildfire during the 1970s-1980s. However, both Marley and Tosh did not live to see old age, with Marley dying from cancer in 1981 and Tosh murdered in 1987. In his later life, he released dozens of albums and compilations and is viewed as one of the founding fathers of Reggae and Roots music.

He is also noted in the history books as an advocate for the legalization of marijuana and has been known as a staunch member of the Rastafarian faith. It wasn’t always that way as a documentary on his life, “Blackheart Man” says he was jailed in the 60s for ganja. He served 14-months in prison at Richmond Farm Prison, and there he wrote the song “Battering Down Sentence.” The case was later dismissed even though he had served time.

A few years ago, Bunny Wailer suffered a minor stroke that affected his speech. He is married with children. However, tragedy struck the family in 202 after his wife of 50 years, Jean Watt, was reported missing, and up to the time of his death, it is unclear whether she had been found.

According to Bunny Wailer’s family, his wife was 70 years old at the time of her disappearance, and she also suffers from a memory loss. She would’ve turned 71 in September 2020. Watt went missing on May 23, 2020, and the police investigation is still open. In the meantime, the Wailer family has continued to search for her and has a $1 million reward for information or her recovery.

Bunny Wailer wasn’t just the last living Wailer, he was also a strong advocate and protector of the band’s musical legacy and reggae music. He will be missed.

Rest In Peace Bunny Wailer.


Intence Responds To Vybz Kartel Over Fake Views With Strong Spotify Numbers


Intence has seemingly responds to Vybz Kartel previously calling him out for alleged fake views.

Fans have built up a convincing case against Intence after much speculation that the deejay is buying views. While the evidence is compelling, the controversial dancehall deejay does not appear to have any intention of quitting while ahead. In recent times, incarcerated dancehall mogul Vybz Kartel has admonished the practice of manufacturing artificial viewership. It is believed that his multiple subliminal posts on social media are aimed at Intence, who has answered the accusation in the past.

Though the “Go Hard” deejay previously claimed that he neither buys nor considers buying views, he often stands accused both by fans as well as other artists. Intence has historically done numbers that are simply not proportionate to his far more famous counterparts or indicative of a reasonable gap between them.

YouTube prohibits the act of buying views in their community guidelines, so it’s certain that it is possible. According to their Fake Engagement Policy, the platform doesn’t allow “anything that artificially increases the number of views, likes, comments, or other metric either through the use of automatic systems or by serving up videos to unsuspecting viewers.” The penalty for violating this community guideline is usually a strike to the user’s channel, and it’s a given that the video will be removed.

With that in mind, it is even more suspicious that Intence’s music video for his song “Aids Test” was recently removed from the deejay’s YouTube channel after accumulating over 8 million views. Since it’s been re-uploaded to the producer’s music channel (Country Hype), it has not managed well over five figures. The disparity is one that cannot be ignored, and fans have taken to social media to scrutinize the alleged evidence against Intence.

Twitter erupted with speculation about Intence’s streaming performance after one dancehall fan shared a contrasting view of the deejay’s YouTube analytics and that of other dancehall artists. According to the location insights, some of dancehall’s top artists like Alkaline, Vybz Kartel, Skillibeng, and more attract most of their views from familiar territories for dancehall music i.e. the U.K., the U.S., Jamaica, and other Caribbean islands. Meanwhile, Intence’s largest audience somehow comes from India, and other than a few commonalities like Jamaica and the United States, he has theoretically been garnering views from Indonesia, Bangladesh, Pakistan, Egypt, etc.

“Numbers don’t lie neither does location, look at Vybz Kartel, Alkaline and Skillibeng… then look at Intence smh faaakest dancehall artist,” one detective fan wrote on Twitter. While some fans are convinced that the evidence points to Intence himself buying views, it is understood that anyone can pay to have these illegitimate views manufactured through illicit merchants in India and Russia. Therefore, anyone from managers and producers to the artist themselves or even you could buy views for any video.

Others accused Shaneil Muir of employing a similar method to attain her 7-figure view counts. “Idk if it’s the Artists themselves or Management but stop buying views, it doesn’t pay it will only cause damage,” wrote one fan. “Latest Artist who has views being bought ‘Shaneil Muir’ India is number 2 with over 970K views and Indonesia and Vietnam are there as well in the top 10 countries.”

Amidst the growing speculation and onslaught of accusations and backlash, Intence has chosen to ignore the scrutiny and talk about his Spotify numbers instead. The streaming platform recently launched in 85 more territories, including Jamaica granting access to a potential audience of 1 billion people. Intence has since shared that he is averaging almost a quarter-million monthly listeners, and his most popular songs on the platform are “Yeng,” which has over 800K streams, and “Real Steel,” which has just under half a million streams.

Intence’s latest music video for “Aids Test Ep2” has amassed over 1 million views since it arrived around three weeks ago. With everyone now watching his channel so closely, there may be a slight shift in the engagement volume, especially after the first part of the sequel was removed. Intence is slated to drop his debut album aptly titled Public Enemy No. 1 this week. Do you think the end justifies the means for this dancehall Tekashi 6ix9ine?


Vybz Kartel Dominating Dancehall A Decade After Incarceration – What’s His Secret?


Critics of the dancehall legend, who is aptly called ‘Worl’Boss,’ proclaimed in 2014 ahead of his sentencing that if convicted, the life and career of the controversial but highly gifted artist would be effectively over.

Fast forward to 2021, and a lot has changed from 2014 when Kartel was convicted and sentenced to 35 years to life for the murder of a former acquaintance, and now, the world in the throes of a pandemic. While things have changed, it has also remained the same as Vybz Kartel’s dominance spreads from jail and continues to top the charts locally and abroad.

Vybz Kartel continues to enjoy top-of-the-line airplay on local radios. While other artists might be lucky to get one or two of their songs played, there is no other artist who regularly and on-demand enjoys whole sessions of their catalogs played, whether it’s a whole session of girl tunes or wining tunes for his female fans or bad man tunes for his male Gaza fans.

One thing has been missing, though, and that is the stage presence of the artiste, which is a very common factor in the dancehall space in Jamaica. Fans and DJs tend to give more ‘fawud’ to DJs who are present. But that isn’t the case with Vybz Kartel.

According to ZJ Chrome, the producer of Vybz Kartel’s No. 1 track “Clarks,” which also launched the career of Dancehall superstar Popcaan, he feels that Kartel has in some respects faded from the dancehall scene as is natural with artists who are around for a long time but his dominance in untested given his cult-like fan base.

“I would say yes and I would say no. Yes just like any other industry the people move on, and the music changes and evolves and you have new people who are more relevant in dancehall. But he still has one of the biggest fan bases in dancehall and his streaming numbers are definitely one of the top three in dancehall.”

ZJ Chrome / IG @zjchrome

“As it relates to the streets maybe he’s losing a bit of the streets because of a lack of presence but his fans are the die hearted fans that stick around, so he’s fading but that’s the natural fade if you ask me because no artiste stays on top forever, but he’s still even with his fading his numbers says he’s the best out there.”

ZJ Chrome says that even though Kartel is not here, not much will change as long as fans are getting the type of music they expect from their favorite icon.

What is perceived to be a fading might also be something the artiste is aware of. In 2019, he dismissed YouTube trending and views as a mark of relevance and called it a “kid’s game.” At the time, fans and critics reacted to his Rock Pop song “No Ok,” which many said sounded like a Disney movie soundtrack- something that is also almost a compliment as the artiste’s versatility was once more on display as he sought to expand his fan base to a new genre of music previous dancehall artists have not ventured to do.

“Vybz Kartel is bigga dan YouTube trending…lef it fi di kids… Gold n Platinum ai pre,” he said. No doubt his reference was to his streaming numbers, such as his RIAA Gold Certified “Fever.”

In spite of those criticisms, Kartel was the most streamed artist in 2019, and in 2020, he still had the most collective YouTube streams at more than 12.5 million views up to the first part of the year.

Vybz Kartel is now known one as one of the most prolific dancehall artists alive and to have lived.

It all began when a young Adidja Palmer dropped out early from Calabar High School to pursue his musical passions. Palmer came from a strict home where education was a priority, but at the height of that decade was the sweeping popularity of reggae music and the rise of dancehall music, and the lure was too strong for the young Palmer.

Soon he called himself Adi Banton, after his inspiration figure Buju Banton and in 1983, at the young age of 17 years old, he recorded his first single, “Love Fat Woman.” It wasn’t long after he joined the budding “Alliance” group led by the enigmatic and widely controversial artiste Bounty Killer. His rise to stardom started with his skills as a writer for the Grung Gadzilla, and he quickly becomes one to look out for as a promising rising star. This is also where he met his future rival Mavado.

It wasn’t long after he left Alliance, dissatisfied with the way things were going and set out on his own as an independent artiste- something many Alliance members viewed as being ungrateful, and if you are born in the Caribbean, there is no greater sin than to be ungrateful!

Nevertheless, the young Palmer had talent, and fans who had an eye and ear for good lyrics were drawn to him. This was the beginning of the passionate or, as one former Prime Minister of Jamaica called it- his ‘rabid’ fans base called Gaza. Of course, at the time that Palmer was rising, clash culture in dancehall was the greatest way to launch an artiste’s career, and so his beef with Mavado led to one beef after another while their loyal fans drew battle lines as they identified as either Mavado’s Gully or Kartel’s Gaza. The war touched every section of society as Kartels dominance spread- from the ghettos in the inner city to high schools. Police say the feud over Gully vs. Gaza was responsible for several murders and shootings along Mannings Hill Road.

Vybz Kartel 2004 in Brooklyn

By this time, Vybz Kartel was now known and respected as the top dancehall act by fans and critics alike as he formed his own Gaza camp, which included the likes of Jah Vinci, Popcaan, Gaza Kim, Lisa Hyper, Black Rhyno, Meritol, and others. Soon though, they became aware of the dark personality that is Vybz Kartel. His life became characterized by controversy as rumors swirled that he would beat his artists, and deejay Gaza Kim showed photos of her face battered, which she says were as a result of her and her brother being attacked and beaten by men at the direction of Kartel.

Kartel, however, did not accept responsibility for the incident; instead, he condemned violence against women and girls. Gaza Kim was eventually expelled, and not long after, one by one, the other members of the camp were also expelled for one reason or the other.

In the years as Vybz Kartel, the artist, unfolded, he also became a father to three children with his common-law wife Tanesha ‘Shorty’ Johnson, and he also fathered children with a number of other women.

The controversy with Kartel also included the move to bleach his skin, changing from a person with a darker skin tone to someone several shades lighter- at one point, his skin tone was almost white.

In spite of this, support for him did not wane, but he became rather more popular. He also thrived musically as he released dozens of hit songs and toured the world, becoming a global style icon and even appearing in video games.

Up to the time of his arrest, his income is said to have been eye-watering from his many business ventures that included his Street Vybz Rum, condoms, cake soap, and Clarks footwear, along with his music that was also becoming streamed globally.

The years prior to his arrest saw a number of hits released as Kartel dominated the space, making it hard for other dancehall acts to get the level of attention he was enjoying.

With digital music streaming starting to gain traction, he quickly re-arranged his strategies to meet the changing ways fans consumed music. This move would prove to be a lucrative new stream of income for Kartel. It is arguably the most productive and long-lived, which also assists with keeping him relevant behind bars.

Although he previously saw Billboard success in 2009 with “Romping Shop” featuring Spice, his album debut on the chart came in 2011 with Kingston story, a digital album and later an extended version in 2012, debuting at No. 13 on the chart. This was the beginning of Kartel’s streaming dominance.

He also received wide acclaim for his album “Roots and Culture: the Voice of the Jamaican Ghetto, in 2013, and that same year released a number of hits that continue to be fan favorites today, including –”Georgina,” “Punani a mi best friend,” the shocking and controversial song celebrating oral sex “Freaky Gal” part 1,2,3; “Benz Punani,” “Why Pree,” “Summer Time,” “Bike Back,” “Cake soap”- which set off the trend among Jamaicans to bleach their skin, “Touch a Button,” are just a few notable songs among the 50-odd songs he released.

He also received success for Kartel Forever: Trilogy in 2014 and Reggae Love Songs and Other Things also released in 2014. Following his arrest, his hits continued to resound with the release of Viking (Vybz is King) which peaked at No. # on Billboard Hot 100 in 2015 and the widely successful “King of the Dancehall” debuting at No. 2 on the chart in 2016 and he was certified Gold by the RIAA for the song “Fever” released in 2016. He has since released dozens if not hundreds of songs since his pre-incarceration days.

Some critics feel that the artist has been releasing too much music that isn’t having the same impact. However, a check shows that Kartel is among the top five most-streamed artists for dancehall on Audiomack each week.

Additionally, one music producer who requested anonymity says Kartel may be a bigger influence in jail as if he was out of jail. He asserts that many of the new young artists are trying to become the next Vybz Kartel.

“Some [new artistes] look up to him but they will try not to do it intentionally. Some people admit it and some don’t. Some don’t because they have a market strategy and they are using that to create a fake illusion of being anti-Kartel and using that to get a buzz when Gaza fans react,” he said.

The producer says Kartel’s influence can be seen by the way young artists are mimicking aspects of the artiste’s personality and style- his creativity, and selling themselves by starting controversies which Kartel did back in the day but nowadays that is now akin to trending online.

“It’s like the deejays who all want to be like Shabba…whenever an artiste is at the top you always find a string of young artists deejay like him in his era in hopes of getting the kind of success he has and they study and copy him.”

Meanwhile, when asked what he thinks accounts for Kartel’s longevity and if he foresees it to continue into the future- especially in light of Vybz Kartel’s appeal of his murder sentence to the Privy Council in England, he says nothing is likely to change given Kartel’s fan base.

“He’s getting public buzz but also the streaming numbers. He has a loyal fan base that reacts and responds immediately. Just watch if the Teacha’ post nothing…. They instanteously react to his directions to make videos, promote and stream his music. He doesn’t need anyone else.”

Even behind bars for a decade, the dancehall deejay is the strongest artist, something that has never before been seen in the genre’s history. Other artists in jail like Ninja Man have not released any new music since being incarcerated, but Vybz Kartel continues to flood the airwaves.

“If the man is behind the bar and doing so well imagine if he is in the streets! Even before Covid he has been dominating the dancehall space. In real life he is a genius. The impact he brought to dancehall nobody has done that.”

Vybz Kartel & Shawn Storm Leaving Court in 2014

Vybz Kartel and his co-accused, which includes artiste Shawn Campbell aka Shawn Storm, his close friends Kahira Jones and Andre St. John, have been granted leave to appeal their life sentences at the Privy Council. Their hearing is said to be sometime in 2021.

Despite being incarcerated for the past decade, Vybz Kartel remains one of Jamaica’s most influential artists. Though some may argue that his relevance is waning, his streaming numbers tell a different story.

Aside from being a musical genius, his secret to his success is his work ethics and ability to adapt with the changing musical landscape.


Reggae Legend Bunny Wailer Dies At 73


Legendary reggae singer Bunny Wailer has died.

Jamaica’s Culture Minister Olivia Grange confirmed the singer’s passing on Tuesday morning. His cause of death was not revealed, but multiple sources confirmed with Urban Islandz that he passed away in the Medical Associates Hospital while getting treatment for an ailment.

Bunny Wailer, whose real name is Neville O’Riley Livingston, had been in and out of the hospital since last year following a stroke. His first stroke was in July last year, where he spent several weeks in the hospital before undergoing rehabilitation. Family sources told us that he had been steadily improving since then, but recently his health significantly deteriorated.

Bunny Wailer, who is a founding member of The Wailers, spent his early life in Nine Mile, St. Ann, before moving to Kingston, where he began his career in the early 1960s when he met Bob Marley and Peter Tosh, who were aspiring singers. Bob Marley, who died of cancer in 1981, was also Bunny Wailer’s stepbrother. The three singers formed The Wailing Wailers in 1963, and the rest is history.

Bunny Wailer is one of the most iconic names in reggae music history. In 2017, he was awarded the Order of Merit, the fourth highest honor in Jamaica. Two years later, in 2019, he was again recognized by the Jamaican government for his overwhelming contribution to Jamaica’s popular music, with the Reggae Gold Award.

Wailer is best known for songs like “Bald Head Jesus, “Crucial,” and “Cool Runnings.” His album Blackheart Man is still a staple in reggae music.


Reggae Singer Fantan Mojah Ridiculed By Mutabaruka For Raunchy Dancehall Song “Fire King”


Jamaican reggae artiste Fantan Mojah has been on the receiving end of a lot of criticism following the release of his brand new song and music video titled “Fire King.” The public lashing has been handed out by critics all over social media, as well as members of the Rastafarian religion. Popular poet, orator, and radio talk-show host Mutabaruka, who is a member of the Bobo Ashanti Mansion, which Fantan is associated with, also had some choice words for the singer.

Mojah is best known for his conscious and inspiring lyrical content which has been observed on tracks such as “Stronger,” “Rasta Got Soul,” “Hail The King,” “Hungry,” and “Nuh Build Great Man.”

“Im not rastafari……but this tune gives me courage and inspiration. real music is powerful,” is just one of the comments one may find below some of the reggae singer’s early releases.

Yet, he has seemingly agitated fans with the release of his high suggestive video. The visuals capture the 44-year-old having some adult-themed fun with a handful of young females dressed in nothing more than their bikinis. The shots take viewers from the poolside to the bedroom, as the rasta gets hands-on with a few of the females’ derrieres. The lyrics explored on “Fire King” fit the video like a glove and seemingly complete the task of informing his fans on the fact that Mojah is an artiste of many facets.

“Girl a wine and a cry pon he stick dem / full clip when me touch you pon yuh clip deh / g-string a pop like a plastic yea,” Mojah deejays over the bouncy, hard-hitting dancehall beat.

It’s hard to decide whether fans are upset with the entertainer for the lyrical content, for simply participating in what is considered dancehall music, or a mixture of both. Five years ago, the backpack carrying Rastafarian was performing at Rebel Salute when he lashed out against then newcomers Alkaline and Gage for their vulgar releases aimed at destroying the very fabric of society.

“Write some good song and sing to di nation, and stop defile mi pickney dem a Jamaica,” he said in an interview with The Star following that year’s show. He continued, “Oonu can sing say di woman dem nice, enuh, and sing say yuh want mek love to dem but, come on man, a you bedroom business oonu want bring come a road? Hey, likkle bwoy, behave oonuself!”

Mojah implied that he would have engaged the likes of Luciano, Capleton, Sizzla, and “di whole a di Bobo warrior dem” to provide a public scolding if the young entertainers did not desist. The musical output of both entertainers has remained consistent since then. However, Mojah has seemingly been the only one who has joined the party. Yet, according to Mojah, while chatting with the crew on The Fix, he has always been a dancehall entertainer.

“I’ve been doing dancehall from the day I buss wid the reggae..but them nah ketch pob the radio, them nah pick up,” he said in the recent interview. During the sit-down, Fantan explained that the continent of Africa, as well as other territories, have been rocking with his dancehall hits for years now.

“Me get dancehall songs wa go number 1 rouna Africa before this ago get popular a Jamaica now, and throughout the Caribbean and America,” he explained, while revealing that he has also done soca and techno songs.

The singjay, who is just one year younger than dancehall bad boy Vybz Kartel, hinted that his most recent output is his way of keeping up with his younger fanbase.
“Me young fans dem de de wa hear Fantan same way, after me no get old, me a walk pon tik?” He questioned. He further emphasized that music is music and does not necessarily tie to his religion. This means the entertainer is simply providing what the market is currently craving. “Me know seh a mix-up run roun ya right now, a no like one time. Mix-up that uno wa hear, that uno wa see,” he said.

While addressing the host’s comments about the lovely females showcased in the video, he highlighted that his spiritual and religious beliefs do not exempt him from wanting to enjoying a surplus of females among other ‘worldly’ pleasures.

It’s no surprise that his phone has been blowing up following the release, as members of the Rastafarian community try to get in touch with him. A lengthy audio clip of longtime Rastafarian Mutabaruka chastising the music video has since made its way online.

“Have some artiste wa a try denigrate Bobo House and Rastafari wid dem wol heap a likkle frivolous videos … dem no see nun wrong with it, that’s the problem,” the Cutting Edge host explained. “Me never it woulda reach de so, weh yuh have man wa wrap up dem head and go inna video wid naked woman a flaunt themself over him and him a flaunt himself ova dem.”

One of the soar points for Mutabaruka is the creation of the music video, which he claims will incorrectly serve as a measure of how followers of the faith should behave. “Him can’t take that[Video] off again eno, it gone,” he said.

The popular poet, who traveled the world educating people on his religion’s core concepts, outlined just what is expected from anyone who decided to take up the title of a Rastafarian.

“Is a revolutionary group of one wa suppose to a search fi liberation of African people all over the world. We suppose to a educate, inform, and we suppose to a live certain way that when people see it them can say ‘wait, brethren a survive inna Rome ya man,’” Mutabaruka explained. “We suppose to a take the people out of the quagmire of madness and craziness and now we a go down inna the abyss with dem?.”

Muta joked that Fantan might find himself engaging in self-pleasing acts to the music video when he turns a senior. However, the singjay seems to be focusing on the now and how to please his fresh-faced fans. He told The Fix that his teenage children, who currently reside in America, are the ones who are gravitating towards “Fire King.”

Supporters of Fantan’s latest single have expressed that once he is not portraying violence, then there shouldn’t be any complaint. Others have pointed out that other entertainers who have claimed the Rastafarian faith have released even more controversial tracks in the past.

“So wen Sizzla say big long gun and run out on dem that was conscious song rite? Sizzla also say pump up her p_m p_m to.” One fan emphasized below the official Youtube upload.

“Hin did get burn out for that as well and since then never had the same level of respect…from that time…his musical respect has went downhilll and he basically living off black woman and child music today,” came the response to the reference made against fellow dancehall/reggae entertainer Sizzla.

Fantan Mojah has pledged to continue releasing music to uplift the people but will also be providing new tracks for the younger generation. “Uno no have me inna no box, me wa fi do music.”

Could this mean a downward spiral for Mojah, or will he successfully tap into a younger fanbase?

You can check out the full interview below:


Jeremiah Bligen – No Contest Lyrics (feat. Mild Genius)


[Verse 1: Jeremiah Bligen]
Shooting shots and purpose is where the rims at
What he put into my hand trying to flip that
Knocked down a couple times from the kickback
Grace, keep my lid on straight like a chin strap

It’s a struggle to juggle
Building and using muscle
While balancing trying to beam
Breeding hustle and humble

Being aware of the schemes
Pride will have us disgruntled
Or emboldened with arrogance
Grading ourselves using others

As the rubric when our movements
Should be based and congruent
With the will of God for our lives
Not what the next man is doing
See, way too often we get exhausted
By the fraudulent losses
And gains that look great on another corpse
When it’s a one-person race
It’s just me and the ghost, our
Trials a matter of time
Like Mario Kart — I
Pray we’ll band together
Know we all play a part
In the orchestra of God
No insignificant parts
Salute

[Hook: Jeremiah Bligen]
Running man, got my eyes on the prize
That’s a person not a possession, I am
In the one-person race to my finish line, nobody else qualifies — Do
Just what he gave us to do
Love’s what we’re triggered to shoot — Move
Just how he placed us to move
What’s for me is for me, and you, you
No contest

[Verse 2: Mild Genius]
Pounding the pavement, how my vision gets clear
Only competition is the one I see in the mirror
When you’re confident in Christ, there ain’t no being inferior
The kingdom is nearer, let’s focus on the Being that’s superior
Christ is the Lord
Not rapping for the mics or The Source
As life runs its course
We struggle putting life in these bars
I’m liking these bars
The match is bringing light to the dark
Pipes in the wall
Living water to cyphers explored
If I’m focused on making it, getting paper or cheddar
I’m indebted, enemy of the cross, a blatant vendetta
Only worthy of the shame and being taken to Hell where it’s hot

I’m talking hotter than Jamaica with sweaters
No that love wax cold and they can’t feel this
If we aim to please Christ, ain’t no way we’ll miss
This is iron on iron and the blood runs swift
We gonna infiltrate the world and everything still lit
One hundred

[Hook: Jeremiah Bligen]
Running man, got my eyes on the prize
That’s a person not a possession, I am
In the one-person race to my finish line, nobody else qualifies — Do
Just what he gave us to do
Love’s what we’re triggered to shoot — Move
Just how he placed us to move
What’s for me is for me, and you, you
No contest

[Verse 3: Jeremiah Bligen]
I’m trying to shed the restrictions that’s within competition
Unhealthy standards based on ego and godless living
Not boast in being the most clean dirty person
But count my neighbors better than I like a census worker
Not trying to be better than you but the best me
Work to be great to honor God and not to compete
That’s not an excuse to be mediocre, lazy, or fools
But to be careful about whose standards I choose to use
Comparing ain’t the root of evil, it’s the root of envy
Like turntables, robbing us all of thanksgiving
Let’s turn the tables and be grateful for the grace given
Discontentment is never quenched, it always wants different
No, I ain’t trying to beat what I should build
Jump in front of others when I should yield
I ain’t trying coach it if should ref it
Those stripes healed, no matter the call it is still a blessing
It is blessed
To be named among the people that’s forgiven truly
God had mercy, that’s my story and I’m sticking to it
No pleasure in another’s error, never looking down
Unless it’s to lend support ’cause we all prone to fail
Yes I have stolen, yes I have lied
Lusted, rebelled, committed murder in heart and mind
Horizontal or vertical, the plea is the same
No contest — a sinner acquitted in Jesus’ name
Salute


Mark Ronson – Intro Lyrics


[Saigon] (Mark Ronson)
Oh Shit!
What?! This is a banger
Yo check this out
I be lord Saig’
I’m chillin’ with Mark Ronson
This is his first album
He got special guests and fly motherf*ckers
Do you know what? (what?) Yo Mark? (yeah) You need to set this shit up (alright) by your God. Damn. Self. (I got you Saig’ let’s do it)

[Mark Ronson]
One day I get a call on the phone, Silvia rung, she like my technique, saw me rockin’ them domes
She said here’s a half a mil make some hits of your own
First stop Kentucky where they got me real crunk

Back down to Charlin we wallin’
Ghostface and Trife the records all pausin’

West west for hooks make D-O double G say, ooh wee

Now we back up in the disco, I heat it up in the booth like Crisco,
Put your rollerskates on let your hips go

Couple days later sounds from Jamaica, show off with the track and he said I’ll take her!
Back down to J-A
International affair

Rollin rollin round, streets are spawned and most of Mark Ronson
It’s the M-O-P! We gotta Rollin rollin round
Brooklyn is in the building you got probl-
Freeway on the verse is a monster, but I needed a hug so I called Nikka Costa
I know you feelin’ my rosta
And my name got a buzz, so here come the fuzz


Producer Rvssian Defends His Jamaican Card Amidst “Privilege” Criticisms


Producer Rvssian was forced to defend his Jamaican card while getting criticized for being “privilege.”

As the world continues to confront systemic prejudices in the wake of George Floyd’s death, one of our own has had ?to defend his love for his country and his people. Jamaican producer Rvssian says trolls and ‘Jamaicans hiding behind their phones’ moved him to address the fact that “Jamaican” is not skin color or a set story, and regardless of circumstance, we’re one nation. In a series of subtweets, the international hitmaker shut down the Twitter fingers, pointing at his privileged upbringing as an indication that his patriotic comments are insincere.

Undertones of classism and colorism are prevalent in Jamaica, where a common assumption is that those removed from stories of struggle do not have an authentic enough Jamaican experience or voice. It’s an interesting accusation considering Rvssian’s career started with heavy involvement in the local music industry, boasting various collaborations with the likes of Taurus Riley and the Teacha, Vybz Kartel.

Setting his sights further in recent times, the producer has advanced his career, landing hits like “Writing on the Wall” featuring Cardi B and “IDKW” featuring Young Thug, Swae Lee, and Shenseea. Even with the groundwork and recent wins, naysayers still set out to call out Rvssian in the comments, as ZJ Sparks neatly put it. “Did your ancestors build the nation? No. you are NOT a descendant of enslaved people who were wrongfully subjected to inhuman treatment yet still the country was built off of their backs. Now go and sit down,” one fan commented.

Others insisted his background is still worth mentioning in regard to his current success: “Privilege doesn’t mean you didn’t work hard. It’s not an attack on all the hard work you did. It simply means you’ve had it easier than other people. A lot of people have some form of privilege they were born with. It cant be prevented but it can be acknowledged.” The rest of the feedback was incredibly positive, urging him to ignore them, go harder at his craft, even citing the proverb, “If a cow born inna a pig pen is still a cow doe listen dem yah yardie.”

Another summed up Rvssian’s own sentiments with a similar reaction to those questioning the depth of his roots. “Jamaica is not just struggles and ghetto stories. It’s a lot more than that. Everybody did not come from the ghetto. Not all Jamaicans grew up around violence and dysfunction. So because my struggles ate different, my story is not worth being told?”

Rvssian leveled the naysayers with a few receipts, including a photo of himself at an inner-city kid’s treat, and left some lines ‘for the trolls behind them phone on the net’: “God bless y’all. I’ma work harder just for you – hopefully you will grow to hate less. Hate blocks blessings. No negative vibes here.”

Is Rvssian right, or do you think the critics have a point?

Born and raised in jamaica ?? my entire life. But a lot of Jamaicans on the net behind their phones like to act like they more Jamaican than me for what reason ? Motto. Out of many, One people. Don’t lose yourself. I love my country and people.

— Rvssian (@Rvssian) June 4, 2020

Big up mi mother and father – love you?? Uno grow me to not judge & badmind. pic.twitter.com/Pm7M2Eiqmw

— Rvssian (@Rvssian) June 5, 2020

When I’m in streets in Jamaica ?? it’s all love. I love the people. Never no hate. But the trolls behind them phone on the net. God bless y’all. I’ma work harder just for you – hopefully you will grow to hate less. Hate blocks blessings. No negative vibes here.

— Rvssian (@Rvssian) June 5, 2020

Tivoli Gardens kids treat #FreeTittyman pic.twitter.com/i4IE44yCbu

— Rvssian (@Rvssian) June 4, 2020

Dem a guh roast u today

— Zj Sparks – Discipline Is Freedom?? ? (@Sparkiebaby) June 4, 2020

Rvssian born uptown . The man story good . Him wasn’t a notnice . And never struggle or have to beg no man him just work hard at his craft yes but he had financial and family support and that big boy his fault but . So don’t come like the man start from nothing .kmt

— scrappa (@876skyazpromo) June 5, 2020

but he should acknowledge that his family name and complexion made things way easier for him…it will make him come across more genuine

— ? (@M_Sceptre) June 5, 2020


Chronic Law Drops 2 New Videos “Talk Di Truth” & “No Ending”


Chronic Law dropped off two new music videos for his singles, “Talk Di Truth” and “No Ending.”

Chronic Law’s music has long echoed a call for greater solidarity among the people, especially when it comes on to waging a full-fledged attack against those looking to oppress and control the masses. High off a nationwide lockdown as a result of the coronavirus, violent race wars have begun in America and have now transcended to other parts of the world. Chronic Law’s message in “Talk Di Truth” comes as an inspiration for his listeners currently in support of the worldwide uprising.

The “No Love” singjay gives fans a complete package with this release by incorporating evocative visual references of prior race riots experienced in America, presumably those of the 1950s-60s, along with current battles being waged against police in the 50 states contained on the mainland. The visuals also showcase some of the powerful people in the black community, such as Martin Luther King Jr., Malcolm X, and Jamaica’s very own Bob Marley. Law also injected himself in the visual representation, confirming that he too is part of this modern revolution.

The Sonovic Music production captures the quintessential spectrum of the revolutionary by taking inspiration from the Southern American art form, the blues. The team layers the moving guitar melodies over some exciting kick drums, to further give the feeling of a more modernized revolution.

“People a feel bare pressure / me see dem a build rubber fi replace hairdresser,” he sings as he tackles one of the core reasons behind rising unemployment rates. “Fire we put pon the oppressor / wa lock we down fi change the world and do whatever,” he continues.

Watch Chronic Law’s music videos “Talk Di Truth” and “No Ending” below.


Tory Lanez – Beauty in the Benz Lyrics


Play this song

[Intro]
(To thank you, to thank you)
(To thank you, to thank you)

[Verse 1: Tory Lanez]
Keep it real, this how I’m comin’ in it from the jump
You’re so beautiful, I kiss and hit it from the front
Take you everywhere with me ’cause I love to stunt
Money everywhere, baby, ’cause you love to stunt
Hit the strip club with me, make ten G’s
We’ll be runnin’ up the bag ’til it empties
Got a temper ’cause she bad, don’t tempt me
Shawty, I’m a different man off the Hennessy
Tryna hit it so good you remember me
Pussy good like
Fuckin’ your body, I let it go down
I make it ring like the Neptunes song
You hold it down like a stunner, you done cleaned that
You hold it down every summer in Celine bag
Oh, when you’re givin’ me love, you never keep that
You never give me enough, knowin’ I need that
We gon’ fuck up the sheets, send ’em to the cleaners
We might smoke weed on the way and catch a misdemeanor
I’m a young nigga that wanna get with you and beat it
My ex hate when I’m with you, it’s gettin’ her heated

[Chorus: Tory Lanez]
‘Cause you’re so beautiful
Oh, oh, oh, oh
Said you’re beautiful
Oh, oh, oh

[Verse 2: Snoop Dogg]
What can I say to you that you ain’t never heard?
I’m breakin’ it down, shawty, I’m talkin’ ’bout every word
Observe how I splizz-erve, slick like a iceberg (What?)
Cold with the wizz-ords and lit like my izz-erd (Ah)
Of course it all matters if you with it or not
‘Cause if you don’t, you won’t, but if you get it, you got
Ain’t nothin’ wrong with this, now peep it out
And if it’s too hard, then go ahead and bleep it out
See, I’ma tell you what I see ’cause what I see is all I know
I’ll wrap you up with a bow, lay you out on the floor
And let Tory tell the story ’cause you know how it go
Then hit the switch in my blue ’64, mmh-mmh

[Chorus: Tory Lanez]
Beautiful
Oh, oh, oh, oh
Said you’re beautiful
Oh, oh

[Verse 3: Tory Lanez]
You know how to let me know if I done enough
Touch down in it, put them numbers up
You wanna leave ’cause he don’t make you cum enough
Well, guess what? I’m the next runner-up
Big bank, baby, and I spend it all on you
Fuck it up in here, that’s what we ought to do
A lot of options, I could call ’em through
I switch her option like an audible
Bentley Bentayga, girl, you gets paper
They be pocket watchin’ the money you get paid
I wanna fly you to the sand in Jamaica
You damaged your makeup, still managed to make it, yeah
Humble as ever, but stunt with the cheddar, yeah
You grind with me, we gon’ come up together, yeah
Pretty days, we gon’ stunt it together
‘Cause the Rolls Royce I drive, it come with umbrellas
I don’t talk no shit ’cause I just back that shit up
I’ma flip lil’ shawty like the spatula
I’ma sink my teeth in it deep, Dracula
Pretty Rick when I hit it, have you spectacular, uh

[Chorus: Tory Lanez]
Beautiful
Oh, oh, oh, oh
Said you’re beautiful
Oh, oh, oh
Yeah

[Outro]
Something about you
There’s something about you (To thank you, to thank you)
There’s something about you (To thank you, to thank you)
(To thank you, to thank you)
(To thank you, to thank you)
(To thank you, to thank you), beautiful
(To thank you, to thank you), I just wanted you


​iLoveMakonnen – I REMEMBER Lyrics


I just, think about all my past times
Get on these fuckin’ tracks and make these words rhyme
I don’t even sell no dimes, cause I do not have no time
But I used to reminisce when me and my homies was on the grind
All the time, tryna shine cause we need them new things
Now a boy got pinky rings, switching lanes with 6 chains
I don’t even give a fuck, used to have a black truck
All the way in zip codes that I do not go no mo
Oh shit, I got shows every motherfuckin’ weekend
Me and my best friends ain’t fuckin’ speakin
‘
Got friends from down under arrivin’ in the morning
Tell ’em that Makonnen is the best thing goin
Worldwide, now you know it, finally I can show it
Young boy in the city lookin’ like I’m fuckin’ growin’
All the way with the moon, ocean sun when it be snowin
‘
I don’t know how I got it, I’m so thankful for the flowin’
My friends, once again, when they come back around
I remember all night, we was sellin’ that brown
To some motherfuckin’ junkies, I was actin’ like a monkey
Swingin’ off them god damn trees
Makin’ hunnid of them things
All damn night with the white, now a nigga barely see
Any type of fuckin’ drugs, who the fuck is me?
I just once was a young boy, on the fuckin’ corner
Sellin’ all this dope from Atlanta to California
And now I brought it back all the way to the West
Cuz them niggas in the East said that I was one of the best
So I’m like, let me go, see if the rumors true
When I step off in the room, niggas be mad at who?
When I step in studios, niggas tryna sound like who, now
God damn, I ride around in black fuckin’ coupes now
Don’t even need to pick it up
Nigga come deliver me
Feel like i’m dominos the way they fucking playing me
Oh shit is a game
Nigga love my last name
Girls want my last name
I switch them with my last game
Hit em with some new shit
Like how the fuck he do it
I remember being in church staring at the pool pissed
Like goddamn that water could make me feel stronger
Then i see that preacher daughter get killed by a gang banger
On the fucking corner and em girls was out here singing songs
Bout sweet jesus and how he was gon come back home
Put my whole family on as they fucking waiting
Niggas on the east side out here still hating
Cause they know that i’m great when i’m came from the south
Now i’m hottest in the north ain’t shit else to talk bout
I’m like damn Uncle Sam who the fuck is donald trump
These niggas done fucked up
Presidents be going up
Now the life in america is all about the money have no time for no jokes
Man ain’t seeing shit funny when my friends fucking dying and drugs fucking colliding everyday in communities
Bitches wanna do me
Niggas out here shooting bullets when we riding pass i’m like oh shit what happened i forgot about my dad
Cause that nigga did me wrong way back in ‘96 now i’m feeling like a bad dog
Looking like michael vick
Out here switching fucking teams can’t find my fucking path
I’m on the fucking road feeling so damn glad
That i have fucking twice another day at life
I remember last week when i felt like a bum
Shit be fucking popping now like a nigga is bubble gum
I remember being so broke i couldn’t afford no bubble yum
Now i’m see now and laters riding around in the latest jaguars supercars saying i’m a super star
And my mom came to my release
Thank god for warner but
Man i never swore that i would leave california
When i was young i felt dumb thought i had to be gang banging
Out here fucking slanging drugs but now all these songs i’m singing
I can’t think about no hook
History about these books all i know is fucking dope fiends and a few crooks that fucking switch they ways off in the usa
Now i feel like gps when i’m using that waze
In the app i can snap on any fucking rap but a nigga hate on me at the same time give me dap
I used to be a young fool now i’m feeling smarter
Goddamn thank god im feeling like a scholar
Didn’t go to college unless it was for beauty
Now the girls love me they want me out in movies
I done sign a stupid deal with a new agency
Hope they put me on a fucking tv show on channel E
Goddamn i’m entertaining oh shit ain’t complaining
Cause the money that i’m making is enough to buy jamaica uh
I love it but sometimes i dont uh
I think i’ll stay but sometimes i won’t
I swear that i should leave what’s is up my sleeve
Everybody hating, hating on me
So i fly all the time when i look at the moon
I remember being home making songs in my room
But now i fly all the time and i stare at the moon
I remember when i was young making songs in my room
But now i fly all the time and i stare at the moon
I remember making all these songs back in my room
But now i fly all the time and i stare at the moon
I remember making songs in my room

With my dogs little two pit bulls
Man one of them just died i swear this shit ain’t cool
I been hurting so bad i can’t even call my dad
Thank god i got my mom hope that she ain’t feeling sad
Bout them rumors going round in the town
What they saying that i’m fucking new asian that i’m looking like satan
All i’m doing is K and the coke all night
I’m like momma no i’m not but she know i sold that white
So it might not sound to fucking far fetch
Plus you losing all this weight
Man you looking kinda sick
I’m like man no i’m not i be running in the morning
I’m practicing for the world stage so i can put a show on that is as good as beyoncé
Look for my fiancé
Retire off this rap shit
Chillin in a bungalow
Goddamn dont need no hoes
I just need the fucking cash
I remember being broke couldn’t afford fucking the dash
That’s the of us that be riding on western ave
I remember being down there crying for my dad
He like fuck you im leaving
I was out there weeping
Now i’m the man from akron to Cleveland
And beyond doing songs you know i can fucking snap
I be out here looking in the audience waiting for claps
But these niggas don’t give me claps
They just give me stank eye
So i’ve hit them with that whip
Cook that chicken one time
Now your girl said she wanna meet a kid backstage
I know what she really want just to hit it backstage and fuck around and break a condom so she could have my child and when a nigga fall off she said that i ain’t shit now
But i never will fall off cause i never got on
I’m the same little kid making songs in my room
Now when i fucking fly i just stare at the room at the moon in my room
At the same time im feeling like a bride and a groom
Why won’t somebody come and marry me
I been smoking all night i should fucking pay the fee to the goddamn smokers club weight i be be going up
Goddamn nobody fuck with me since i haven’t been going up on a fucking tuesday but i got new news today
I can make plenty songs slow it down anyway
All in the usa they know that i’m leaving soon
I remember making songs staring at the moon in my room
Now when i fly i just stare at the moon cause i remember making songs in my room
Now when i fly i just stare at the moon
Cause i remember being alone
Just making these songs in my room
Making these songs in my room
I remember being alone in my room
Starting at the moon


Migos – Intro Lyrics


[Intro: Takeoff]
My weed from Jamaica, my money older than Sega
Bust it open, then wait up, tell m, work out, then re-up

[Hook: Takeoff]
My diamonds sparkling, I be like the sargent
Pull up in the Astin Martin, leave in a Burperry carpet
Migo the label, but no no playing with paper
My shirt tiger striped, my shoes aligater
With the plug, never see it
Wip them chickens and pidgens, cokina and midgets, touch it, I flip it

[Verse 1: Takeoff]
I remembered in school, teacher talkin bout history
I was tryna make history, up in that house in Beverly
I just called my jeweller, tell him bring me my rolly
In that muscle car, 12 pull me over for flexin

[Verse 2: Quavo]
I got sweet and sour chicken, lemon, go get me some beef
I got soldiers in the streets, I’m commander and chief
When the Js hit the dope, I bet those nose bleed
I got a plug from Mixico, and one plug that’s chinese
Bad bitch on my team, do whatever I please
Thick thais, brown eyes, she finesse you with eze
Think the jeweller got me sick, a chew, I sneez
Someone get me a key, I’ll just rest in peace
Last nigga try to jump, left him deceased
Then we dumped him in the river, body still won’t be seen

[Verse 3: Offset]
I’m a cool individual, selling dope, that’s my principle
Young like the siminals, baking soda a chemical
I done made it out vakent, had to lie on David
Keep the pistol like Peet, and keep the knife like I’m Jason
I ain’t Gigga for nothing, tell m fishing for money
Gotta bumblebee building, me and my crew, that’s some hundreds
Took the truck to Bahamas, pick the plug up from London
I be sellin so many fishes, call me Offset Benny Hanna
And the 9 is my ratchet, trappin and stampin on matress
Singing Tony Braxtin, and they all wet like napkins
Biggest bitches, I’m cravin, got that dope, so come taste it
No, my swag is not basic, pull up with a strap, no laces


Nicki Minaj – Coco Chanel lyrics


[Intro: Foxy Brown, Nicki Minaj & JBeatzzz]
Whole lotta gang shit
Beatz
Oh, uh, ugh, ayo Chun, ayo Chun
We back on that Coco shit, nigga, number one, uh
Whole lotta gang shit
Haha, every bitch bloodclaat, girl
Oh, ayy yo, uh, Brooklyn!
Kick for my stomach, let’s go!

[Chorus: Nicki Minaj]
Yo, he got me like a coco, yeah la coco
Ellas quieren coco, y yo tampoco
Never trust a broke hoe, don’t fuck with po-po
Numero uno, me llama Yoko
Pull up in them thing things and let them things fling
Niggas know my name ring, and it go “ding-ding”
If I get a inkling, the thing’ll sing-sing
Ain’t talkin’ ’bout the singer, the thing’ll sting-sting

[Verse 1: Nicki Minaj]
Ayo, if I’m in the Gurkha, then they in the back of it
If I tell ’em eat food, then they make a snack of it
If they take your cocaine then they make a crack of it
If they grab your gold chain then they make a plaque of it
Know we never lack on it, run up with the MAC on it
Put a couple racks on it, they gon’ put the whack on it
She got the Nicki bundles, word to Stack on it
That’s word to Brooknam, that’s word to Bucktown
That’s word to Harlem World, shout out to uptown
You know I shine on ’em, I spray sheen on ’em
That’s word to southside, Jamaica, Queens on ’em
I’m mad Queens on ’em, with mad schemes on ’em
I never scale back, the triple beams on ’em
My ice gleams on ’em, Wu-Tang creams on ’em
I pull up on the block bumpin’ Biggie “Dreams” on ’em
A nigga greased on ’em, but I freezed on ’em
I light breezed on ’em, I might breeze on ’em
Might do it like it’s Christmas and light trees on ’em
I see the copycats bitin’ my steez on ’em

[Chorus: Nicki Minaj]
Yo, he got me like a coco, yeah la coco
Ellas quieren coco, y yo tampoco
Never trust a broke hoe, don’t fuck with po-po
Numero uno, me llama Yoko
Pull up in them thing things and let them things fling
Niggas know my name ring, and it go “ding-ding”
If I get a inkling, the thing’ll sing-sing
Ain’t talkin’ ’bout the singer, the thing’ll sting-sting

[Verse 2: Foxy Brown & Nicki Minaj]
Gimme some bloodclaat gunshots
Brooklyn where the fuck we at? Flatbush, Bed-Stuy
That’s my word to Big, I’ma murder them rasclaats
All black Chloe straps, gally I’ma skully to the back
Fuck my ratchet at? Come make me dirty that
Puss dem I chat bout, back like I never left
Went down when I come ’round, all y’all bitches bow down
King fox, King Kong, back on my Trini, nigga
Valentino bling thong, all y’all bitches duck me, fuck
Nick, come fuck it up, bad gyal a back it up
Coco ‘pon my foot dem, C’s pon my likkle pretty red bow
See dem buss one for baby, see dem [?]
[?]
The bloodclaat [?]
Them bitches in them bum-ass Louis thigh highs
[?] clip [?]
Gun slingers, let me see y’all gun fingers
Y’all bitches dick riders
Little Nicki’s, little Inga [?]

[Chorus: Nicki Minaj]
He got me like a coco, yeah la coco
Ellas quieren coco, y yo tampoco
Never trust a broke hoe, don’t fuck with po-po
Numero uno, me llama Yoko
Pull up in them thing things and let them things fling
Niggas know my name ring, and it go “ding-ding”
If I get a inkling, the thing’ll sing-sing
Ain’t talkin’ ’bout the singer, the thing’ll sting-sting

[Verse 3: Nicki Minaj]
Foxy plus one, it’s me young Chun
And me, I can fuck up the place, I’m done
So tell ’em run, come and bring a lump sum
Ayo Fox, they don’t make us or break us, word to young guns
Put your hands up
Unless they ever do it, tell’ em fi recognize
Unuh dem fi fi real vibes
They call me Ms. Bitch, but I don’t miss, bitch
Got real shooters, better D up, guys
Who me? I’m physically fine
Who she? It’s like we know she dyin’
Bitch ain’t see Billboard in 2017
Had to drop Queen on ’em like a guillotine
All these jealous bitches on the jelly team
Keepin’ it a hundred, that’s a jelly bean
Uh, uh-uh, uh-uh
Uh, uh-uh, uh-uh


Sean Paul & David Guetta – Mad Love (feat. Becky G)


[Intro: Becky G]
Jiggle up yuh body
Jiggle up yuh sinting

[Pre-Chorus: Sean Paul & Becky G]
Love me, love me like that
Love me like we ain’t never let go (How you mean?)
Love me, love me like that
Poco poco, muy, muy lento (Zeen!)
Take your time and do it just like we were in Jamaica or New York (Woop, woop, woop, woop)
Love me, love me like that
Love me, give me some mad love

[Chorus: Becky G]
Watch the tempo, watch the tempo
Watch the tempo, watch the tempo
Watch the tempo, watch the tempo
Love me, give me some mad love

[Verse 1: Sean Paul & Becky G]
Baby girl cau’ me lovin’ how your body fat
Gimme some a dat
Lovin’ how your booty pop when the beat drop
Come in my baby when you do it is a wrap
Love the energy when you fling it up back
Steppin’ in gyal you pepparin’, you ever look hot
Epic win gyal, you know say you never yet flop
I know I see weh mi wah fi attack
Mi eye deh ‘pon she, precise and exact

[Pre-Chorus: Sean Paul & Becky G]
Good lord, girl, yuh going so hard (Woo)
Girl your legs look the best when I’m spreadin’ the two apart
(Oh, yeah yeah yeah)
Good lord, why you going so hard? (Do it, girl)
Boy, I’m tryna to be good but you’re making me be so bad
(Bidi, bang, bang, bang)
Love me, love me like that
Love me like we ain’t never let go (How you mean?)
Love me, love me like that
Poco poco, muy, muy lento (Zeen!)
Take your time and do it just like we were in Jamaica or New York (Woop, woop, woop, woop)
Love me, love me like that
Love me, give me some mad love

[Chorus: Sean Paul & Becky G]
Watch the tempo, watch the tempo
Watch the tempo, watch the tempo
Watch the tempo, watch the tempo
Love me, give me some mad love (Bidi bang)
Watch the tempo, watch the tempo
Watch the tempo, watch the tempo
Watch the tempo, watch the tempo (Woop, woop, woop, woop)
Love me, give me some mad love (Bidi, bang, bang, bang)

[Verse 2: Sean Paul & Becky G]
Spin like a propeller you a da in ting
Spin my girl, cau’ you know how to swing
Jiggle up your body, Jiggle up di sinting
Unquestionable you a run the sinting
Stepping in, ’bout to get it but you ever look hot
I’m the queen, boy, you know that you never yet flop
Are yoy ready fi a night of loving wid the stamina king?
Mi hear you body callin’

[Pre-Chorus: Sean Paul & Becky G]
Good lord, girl, yuh going so hard (Woo, woo, woo)
Girl your legs look the best when I’m spreadin’ the two apart
(Oh, yeah yeah yeah)
Good lord, why you makin’ it so hard?
Ain’t it good enough for you
You ready break down my guard (Bing, bing, bing)
Love me, love me like that
Love me like we ain’t never let go (Let go)
Love me, love me like that
Poco poco, muy, muy lento
Take your time and do it just like we were in Jamaica or New York
(Bidi, bang, bang, bang)
Love me, love me like that
Love me, give me some mad love

[Chorus: Sean Paul & Becky G]
Watch the tempo, watch the tempo
Watch the tempo, watch the tempo
Watch the tempo, watch the tempo
Love me, give me some mad love (Bidi, bang, bang, bang)
Watch the tempo, watch the tempo
Watch the tempo, watch the tempo
Watch the tempo, watch the tempo
Love me, give me some mad love (Woop, woop, woop, woop)


Sean Paul & David Guetta – Mad Love Lyrics Ft. Becky G


Sean Paul & David Guetta – Mad Love Lyrics Ft. Becky G

[Intro: Becky G]
Jiggle up your body
Jiggle up your swing, swing

[Pre-Chorus: Becky G & Sean Paul]
Love me, love me like that
Love me like we ain’t never let go (how you mean?)
Love me, love me like that
Puco, puco, muy, muy lento (sing)
Take your time and do it just like we were in Jamaica or New York (woop woop woop)
Love me, love me like that
Love me, give me some mad love

[Chorus: Becky G & Sean Paul]
Watch the tempo
Watch the tempo
Watch the tempo
Watch the tempo
Watch the tempo
Watch the tempo
Love me, give me some mad love

[Verse 1: Sean Paul & Becky G]
Baby girl, got me lovin’ on your body fat, give me some of that
Rubbin’ on your booty fat, wanna beat ya up
Me and my baby, when you [?] to the rap
Love the energy when you feel it [?]
In gyal, you preparin’, you ever look hot
You the queen gyal, ya know so you never get flopped
I know I see when me walk fi ya spot
Eyes upon cheeck, precise and exact

Also Read:  Sean Paul Visits Buju Banton In Prison Says Greatness Is Coming

[Pre-Chorus: Becky G & Sean Paul]
Good Lord, girl, you going too hard (woo)
Gyal ya light up the place when I’m spreadin’ the two apart (oh, yeah yeah yeah)
Good Lord, why you going so hard? (Do it, girl)
Boy, I’m tryna make up but you’re making me feel so bad (bidi bang bang bang)
Love me, love me like that
Love me like we ain’t never let go (how you mean?)
Love me, love me like that
Puco, puco, muy, muy lento (sing)
Take your time and do it just like we were in Jamaica or New York (woop woop woop)
Love me, love me like that
Love me, give me some mad love

[Chorus: Becky G & Sean Paul]
Watch the tempo
Watch the tempo
Watch the tempo
Watch the tempo
Watch the tempo
Watch the tempo
Love me, give me some mad love (bidi bang)
Watch the tempo
Watch the tempo
Watch the tempo
Watch the tempo
Watch the tempo
Watch the tempo (woop woop woop)
Love me, give me some mad love (bidi bang bang bang)

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[Verse 2: Sean Paul & Becky G]
Been there preparin’, your body insane
Still my gyal so you no how to swing
Jiggle up your body, jiggle up and swing, swing
And gyal say never, you a relentless thing
Stepping in, ’bout to get it but you ever look hot
I’m the queen, boy, you know that you never get flopped
Are you ready fi a night of loving?
With the stamina king, hear your body calling

[Pre-Chorus: Becky G & Sean Paul]
Good Lord, girl, you going too hard (woo)
Gyal ya light up the place when I’m spreadin’ the two apart (oh, yeah yeah yeah)
Good Lord, why you going so hard? (Do it, girl)
Boy, I’m tryna make up but you’re making me feel so bad (bidi bang bang bang)
Love me, love me like that
Love me like we ain’t never let go (how you mean?)
Love me, love me like that
Puco, puco, muy, muy lento (blaze it)
Take your time and do it just like we were in Jamaica or New York (woop woop woop)
Love me, love me like that
Love me, give me some mad love

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[Chorus: Becky G & Sean Paul]
Watch the tempo
Watch the tempo
Watch the tempo
Watch the tempo
Watch the tempo
Watch the tempo
Love me, give me some mad love (bidi bang bang bang)
Watch the tempo
Watch the tempo
Watch the tempo
Watch the tempo
Watch the tempo
Watch the tempo (woop woop woop)
Love me, give me some mad love